Andrew Watt: Last News

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Ozzy Osbourne is “dying to make more music” with producer Andrew Watt

Ozzy Osbourne has admitted that he’s been ‘dying to make more music’ with producer Andrew Watt.Watt produced Osbourne’s two most recent solo albums, 2020’s ‘Ordinary Man’ and 2022’s ‘Patient No. 9’, but while the former Black Sabbath frontman is eager to hit the ground running, he said in a recent interview that Watt was busy working with Lady Gaga.“I’ve always gotta be doing something, or it drives me crazy,” he told Rolling Stone [via Music News]. “I’ve got a haunted head.”“I’m waiting for [producer] Andrew Watt to give me a call,” he continued.
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Rolling Stones’ ‘Hackney Diamonds’ review: A nostalgic, stomping victory lap
The Rolling Stones put out an album of new material — 2005’s “A Bigger Bang” — it was all the way back in the pre-Taylor Swift era.In the interim, the pop superstar has dropped 10 studio LPs — and rocked the music world the way the Stones once did in the 1960s and ’70s — while the legendary British band has released exactly one: 2016’s “Blue & Lonesome,” a collection of blues covers.Although the Stones continued to tour — and play the hits that everybody comes to hear — it certainly seemed as if they had given up on making original music and would ride those classics into the inevitable sunset.But perhaps jolted by the death of founding drummer Charlie Watts in 2021, the Stones are back with — dare I say it — a bang on “Hackney Diamonds,” out on Friday.With the band enlisting Grammy-winning producer Andrew Watt — a top studio gun for everyone from Miley Cyrus and Dua Lipa to Justin Bieber and Post Malone — you might be worried that Mick Jagger, Keith Richards and Ronnie Wood are making one last desperate attempt at the pop charts.Thankfully, that’s not the case. (And to his credit, Watt, 32, has some rock bonafides, too, having also produced Ozzy Osbourne, Iggy Pop and Pearl Jam’s Eddie Vedder.)“Hackney Diamonds” — which takes its title from the Hackney district in East London — feels like classic Stones, even if it’s not up to the gems of yesteryear.
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Big Hit Music refutes plagiarism claims against Jungkook’s ‘Seven’
Big Hit Music has released a statement refuting claims that Jungkook of BTS‘ single ‘Seven’ was plagiarised.Earlier today (August 22), South Korean news outlet Ten Asia published a report alleging that a portion of Jungkook’s ‘Seven’ – written by Andrew Watt, Cirkut, Jon Bellion, Latto and Theron Makiel Thomas – “borrows” its “scale sequence” from K-pop girl group Fin.K.L’s 2000 song ‘Time of Mask’.In its report, Ten Asia also claimed that ‘Time of Mask’ composer Yang Joon-young requested a producer at Big Hit Music for an evaluation of the two songs.Big Hit Music has since refuted the claims made in the Ten Asia report. In a statement to My Daily, as translated by Soompi, the label said: “The claims of copyright infringement regarding Jungkook’s ‘Seven’ are not true.”“‘Seven’ is a song that was made through the collaboration of five foreign composers, and it is a creation that is completely unrelated to the song on a domestic album from 24 years ago like some are claiming,” it added.Big Hit Music also called the claims “one-sided”, and alleged that they “do not meet any criteria such as substantial similarity and principles in determining plagiarism”.‘Seven’ is Jungkook’s first official solo single, released on July 14.
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Pearl Jam’s Jeff Ament says band’s new album “doesn’t feel like a record yet”
Pearl Jam‘s Jeff Ament has given an update on the band’s new album, saying it “doesn’t feel like a record yet”.Guitarist Stone Gossard confirmed in an interview last March that work had begun on the follow-up to 2020’s ‘Gigaton’ and that Andrew Watt, who has previously worked with Justin Bieber, is behind the production desk this time around.While Gossard said they were going to try and finish the record “pretty soon,” Ament has revealed in a new interview that there’s still a way to go on the new LP.“The hardest part of [finishing] a record a lot of times is figuring out which songs go on the record and do we need to record another song and what’s the artwork and what’s the title and all that stuff,” he said, revealing that the band are taking the summer off.“Come September, we’re still gonna pick up those questions we have about where we’re at and we’re gonna ask those questions again,” he added.“I think everybody hopes that we have a record out next year. If we have a record out next year, that means we’ll probably play a few more shows, and I think there’s a couple places we haven’t played in quite a while, so I think we have stuff penciled in.”Of the band’s legacy and what it affords them when making new music, Ament added: “We’ve earned the right to sort of [do whatever we want], and that’s tough because there are five of us pulling the cart.“Sometimes you end up pulling the cart in opposite directions.
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The Rolling Stones face copyright lawsuit over ‘Living In A Ghost Town’
The Rolling Stones are facing a copyright lawsuit over their 2020 track, ‘Living In A Ghost Town’.In the suit, a little-known songwriter called songwriter Sergio Garcia Fernandez, who performs under the name Angelslang, claims that the legendary band’s recent track “misappropriated many of the recognisable and key protected elements” from two of his songs, 2006’s ‘So Sorry’ and the following year’s ‘Seed Of God’.Fernandez claims that he gave a CD of music to an “immediate family member” of Mick Jagger, with elements of the two tracks then allegedly used in the band’s 2020 song.In a statement (via Billboard), Fernandez’s lawyers said: “The immediate family member … confirmed receipt … to the plaintiff via e-mail, and expressed that the musical works of the plaintiff and its style was a sound The Rolling Stones would be interested in using.”It goes on to allege that ‘Living In A Ghost Town’ lifted “vocal melodies, the chord progressions, the drum beat patterns, the harmonica parts, the electric bass line parts, the tempos, and other key signatures” from ‘So Sorry’, and the “harmonic and chord progression and melody” from ‘Seed Of God’.Representatives for The Rolling Stones did not respond to a request for comment from Billboard.Elsewhere, The Rolling Stones are reportedly collaborating with Paul McCartney and Ringo Starr on their new album.According to Variety, multiple sources have confirmed that two surviving The Beatles band members have contributed to an as-yet unannounced Stones album, which is said to be produced by Andrew Watt.
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Watch Iggy Pop and Red Hot Chili Peppers’ Flea in conversation in new mini-documentary
Iggy Pop has shared a new mini-documentary that features an in-depth conversation with Red Hot Chili Peppers bassist Flea – watch below.The 26-minute film, titled Bitten By Flea!, sees the two musicians sit down together to talk about a range of topics, including The Stooges‘ influence on Flea, their experiences working with producer Andrew Watt, and Pop’s commitment to starting the morning with “a good face”.“If you’re not in a good mood – fool yourself, motherfucker! Don’t get down, don’t let yourself get down,” the legendary singer continues before mimicking a chirpy TV morning show host.Elsewhere, Pop recalls receiving an open letter from U2 frontman Bono: “He said, ‘In rock ‘n’ roll, or modern popular music, there is a sort of regency in which certain people occupy the castle and pull up the drawbridge. And it seems to me that when you hurtle yourself headfirst into the crowd, you are throwing away your crown’.”Pop responds by saying, “Fuck the regency!”, referring to the lyrics to ‘The Regency’ from his 2023 album ‘Every Loser’.The record, which was produced by Watt, features contributions from Flea’s RHCP bandmate Chad Smith, the group’s former guitarist Josh Klinghoffer, and late Foo Fighters drummer Taylor Hawkins.Directed to Thom Zimny, Bitten By Flea! also contains behind-the-scenes footage of Pop’s time in the studio with Watt.Explaining his approach to recording music with Pop, the Grammy-winning producer says: “[With] somebody who is in the latter part of their career, I think it’s very important for – even if the music is happening quick, and the energy is there, and the creative stuff is like ‘Bam, bam, bam’ – just taking your time to go through it.
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