“This is not home, this is the office,” Hayden Anhedönia assures me, at a taco stand near Echo Park in Los Angeles. She glamorized the city's cinematic appeal on "Michelle Pfeiffer," which opens her newest EP as Ethel Cain: "everything's easier way out West, wholly mad and half undressed." Now that she's out here all the time for business, she can see through the allure. "Everytime I come out here, it's such an egregious display of segregation that it almost feels counterintuitive to climb the ladder and make a career for myself.
I want to make money so I can buy my house and be comfortable, but I see these rich people [in the Hills] and I don’t want what they have.
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