Composed of a series of striking tableaux, Gianfranco Rosi’s contemplative documentary, “Notturno,” mines the intergenerational conflict on the borders between Iraq, Kurdistan, Syria, and Lebanon.
Cross-cutting between a number of disparate individuals, including the military, political dissidents, and ordinary citizens, Rosi’s film eschews any type of narrative cohesion, instead, presenting a series of unnamed individuals, going about their lives surrounded by the rubble and omnipresent gunfire that still plagues the region.
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