Not to be too dismissive or glib, but filmmaker Paul Weitz (“About A Boy,” “In Good Company”) has seemed to find a new lane in recent years.
Could you call that lane the “grandma lane” without seeming like a superficial dick? Hear me out, though, because Weitz, who made the film “Grandma” with Lily Tomlin in 2017—which is very good btw!— has been working with her a lot, and several narratives center on women in the ’60s and ’70s.
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