first films that was made during the pandemic, so the one-location shoot and tiny cast make a lot of sense.) Anger and resentment quickly bubble to the surface, leaving you wondering how or why these two have stuck together as long as they have.
But Washington and Zendaya, freed from lockdown, dig into the dialogue with zest, and they’ve got a palpable chemistry even in the midst of some horribly hurtful exchanges.
Washington’s character also has a marathon rant about critics — particularly one “white girl from the LA Times” — that this critic found pretty entertaining, if rather obviously a mouthpiece for the screenwriter’s own frustration with reviews.
Read more on nypost.com
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