Viola Davis burns a hole in the screen projecting the indomitable pride and hard-won self-worth of the legendary early 20th century blues singer named in the title of Ma Rainey's Black Bottom, one of 10 plays that comprise August Wilson's epic cycle depicting 100 years of African American experience.
But it's Chadwick Boseman as a cocky trumpeter brutally demeaned by the white recording industry who delivers the most explosive thunder and searing pain.
The late actor pours every ounce of himself, emotionally and physically, into his final performance, breathing tragic grandeur into George C.
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