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Mad World Takes Seloua El Gouni’s Moroccan Feminist Drama ‘The Wound’ Starring Oumaïma Barid (EXCLUSIVE)

Nick Vivarelli International Correspondent Dubai-based sales company Mad World has taken global rights to feminist drama “The Wound,” which marks the directorial debut of Morocco’s Seloua El Gouni, who has experience as a production manager on Hollywood titles such as “A Hologram for the King” and “Men in Black: International.” “The Wound” (“La Plaie”) stars rising Arab talent Oumaïma Barid, who gained global notice in Sofia Alaoui’s 2023 Sundance title “Animalia.” Barid plays a young woman named Leila who is trying to pursue her passions and ambitions while contending with Morocco’s societal constraints and becomes pregnant in an extramarital love affair. The promising drama’s Moroccan A-list cast also comprises rising star Brice Bexter (“Redemption Day,” “Seneca”); Amal Ayouch (“Eye on Juliet”); Mansour Badri (“Ghosts of Beirut”); Soraya Azzabi (“Billie’s Magic World”); Abdelhak Saleh (“Hounds”); and Sami Fekkak (“Testament: Story of Moses”).
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Goth Babe concert review: Don’t miss catchy dream pop fun for all ages
Goth Babe is not what you’re expecting based on the tongue-in-cheek band name.No, there isn’t an eyeliner-laden beauty grabbing your attention onstage at a Goth Babe show; rather, front and center is scruffy, charismatic frontman 25-year-old Griff Washburn.And he, along with his solid backing band, put on a rousing show.Goth Babe — really the moniker of bedroom pop wunderkind Washburn, along with a tight 2-piece touring band — sounds a little like if Beirut met Odesza, and the two of them downloaded LCD Soundsystem’s synth presets.On a brisk Cinco de Mayo evening, the three-piece outfit performed a loose yet energetic 15-song set at New York City’s Rooftop at Pier 17 inspiring an audience made up of college-age Gen Z’ers, elder Millennials and everything in between to bliss out to the group’s mellow yet melodic dream pop.To kick the evening off, Goth Babe got the crowd’s attention with arguably their most goosebump-inducing track.The trick worked like a charm.“New Born Worlds,” easily Goth Babe’s most ethereal bop, turned heads.What was this mythical sound taking over the rooftop?As soon as the the ensemble’s thumping drum launched mid-track, toes were tapping, heads were nodding, smiles were washing over faces.This is what we came for — this is why you see your favorite bands live.Following the otherworldly opening number, Washburn addressed the crowd.His boyish voice didn’t quite match the assured, deep timbre of his vocals much to my surprise  — he was much more playful, friendly, ready to chat with the crowd, which he did.In between songs, Washburn and audience members bantered.Yes, crowd surfing came up.
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