Men can be overbearing. Some of us know this firsthand because, with a bit of self-awareness, we can recognize we have, at least at some point, been the pompous bloviating jackass while more introverted people, sometimes women, silently sit and endure our blowhard monologues.
Maybe some of us aren’t that bad, but we haven’t always provided space for others, either. India Donaldson’s insightful, intimate girlhood drama, “Good One,” takes the soft but observant perspective of the quiet, internalized teen forced to endure haughty men, namely self-centered fathers, and turns it into a masterful look at discomfort, alienation, and the put-upon role of people pleaser.
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