Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style.
An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.
The American actor now plays an Italian figure for the second time, but his performance here, to a much higher degree than in Ridley Scott’s “House of Gucci,” truly does revolve around giving the appearance of possessing some kind of Italian essence.
Continue reading ‘Ferrari’ Review: Style & Business Overtake Emotion In Michael Mann’s Biopic About The Italian Automobile Tycoon [Venice] at The Playlist..
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