‘Ferrari’ Review: Adam Driver Plays Enzo Ferrari in Michael Mann’s Gripping and Masterful Drama

Owen Gleiberman Chief Film Critic Is it something in the air? At this year’s Venice Film Festival, the unofficial theme appears to be hit men. David Fincher’s “The Killer” is all about an icy methodical professional executioner. Woody Allen’s “Coup de Chance” turns on an act of murder-for-hire.

Ferrari has defended the casting of Adam Driver against claims of cultural appropriation.Andrea Iervolino, an Italian-Canadian film producer on the Enzo Ferrari biopic, rebuked claims made against Driver’s casting by actor Pierfrancesco Favino, who questioned why Italian actors were not cast more often in Hollywood films.In response, Iervolino said Italy had failed in comparison to other countries in producing Hollywood stars with worldwide visibility, citing examples like Javier Bardem and Antonio Banderas from Spain, and Marion Cotillard and Vincent Cassel from France.Speaking at the festival (via the Telegraph), Ierovlino said: “Italian cinema needs to look beyond Italy and come up with synergies with the international film industry, which wants to invest in Italian icons. Films like Ferrari, which will be distributed in 150 countries, promote Italy and Italian genius.”The producer called on the Italian film industry to “make films based on stories that speak to the whole world, with international stars who work side by side with our own talent”.In his original comments, Favino, who stars in a movie called Comandante which opened this year’s festival, asked why actors on the level of Toni Servillo (The Great Beauty) were not cast more often in Hollywood productions.“There’s an issue of cultural appropriation,” Favino said.“Instead, the parts are given to foreign actors who are distant from the story’s real protagonists, starting with the exotic accents,” he added.

Owen Gleiberman Chief Film Critic If you’re looking for an inviolable law of cinema, one that you can more or less can take to the bank, the Venice Film Festival just confirmed an ironically delightful one. It is this: Murder agrees with Woody Allen. We already knew that, of course.

Owen Gleiberman Chief Film Critic The last time Sofia Coppola made a movie about a teenage royal living in a rococo palace that turned out to be a lavish prison, it was 2006, and the movie, “Marie Antoinette,” was a stylized dream of history — the story of the young queen as naïve and isolated rock star. Coppola’s new movie dramatizes the relationship between Priscilla and Elvis Presley, and the parallels with the earlier film are there if you want to see them.

Owen Gleiberman Chief Film Critic In the bravura opening sequence of David Fincher’s “The Killer,” we watch the title character, a cold-as-dry-ice professional hitman who is never named, as he prepares to assassinate his latest victim. The hit is taking place in Paris, and the target is some sort of powerful corporate tycoon who we, like the killer, know nothing about. His home occupies the entire penthouse floor of one of those ornate block-long Parisian apartment buildings.

Owen Gleiberman Chief Film Critic As any critic will tell you, when you’re watching a comedy with an audience, it doesn’t matter how bad the movie is — even the jokes that are making you groan are going to provoke laughter. (That’s why comedies are always screened in advance; the studios want the audience giggles to rub off on you.) But at the Venice Film Festival, when I saw “The Palace,” Roman Polanski’s garish debacle of an ensemble comedy, I was sitting in the Sala Darsena, which seats 1400 (and was full), and on the rare occasion when a line in the movie got laughs, it was literally coming from about six people.

Owen Gleiberman Chief Film Critic In “Maestro,” playing the legendary American conductor and composer Leonard Bernstein, Bradley Cooper has a light in his eye — a glow of merriment and mischief, of gleeful cosmopolitan desire. His Lenny is a prodigy, a prankster, a seducer, a monk of creative devotion and, through it all, a man of epic contradiction. In public, he tends toward the proper and stentorian; in private, he’s recklessly exuberant enough to give new — or maybe old — meaning to the word gay.

The Venice Film Festival began August 30 with opening-night movie , an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.

Adam Driver hit out at streaming services like Amazon and Netflix as he promoted his film “Ferrari” at Venice Film Festival on Thursday.

We’re back, Insiders. Jesse Whittock here. After a week away, we’ve got you covered for all the big news as festival season gears up once again. We’ve been mob-handed in Venice while diligently covering all the major TV and film news around the world. Let’s begin…

Adam Driver is the star of the upcoming Ferrari movie, but yet, wasn’t able to do something you’d think he could – drive an actual Ferrari.

EXCLUSIVE: Saudi Arabia’s Red Rea Film Foundation has announced it is investing in Johnny Depp’s Modi, Michael Mann’s Venice title Ferrari and Guy Ritchie’s World War Two spy action feature The Ministry of Ungentlemanly Warfare.

Michael Mann’s Ferrari received a 7 1/2-minute standing ovation Thursday night after the lights went up on the film’s world premiere screening at the Venice Film Festival.

Venice Film Festival, Adam Driver and Michael Mann officially kicked off awards season with the world premiere of their racing drama “Ferrari,” which debuted in competition. The packed house at the Sala Grande Theatre showered Drive and Mann with a six-minute-standing ovation. Driver fought back tears at the tragic conclusion of the film.

Guy Lodge Film Critic Among all working U.S. filmmakers, few have built as faithful and fervent a following of critics and cinephiles as Michael Mann.

Adam Driver and Penélope Cruz have debuted their new movie at the Venice Film Festival. “Ferrari” stars Driver as Enzo Ferrari, with the film trailing his life over the years, including his marriage to Laura Ferrari (played by Cruz) and his relationship with his mistress, Lina Lardi (played by Shailene Woodley).Salma Hayek reminisces about the moment her look became a representation of 90s fashionJavier Bardem had the best reaction to Penélope Cruz’s Met Gala look: ‘He lost it’The film is set in 1957, and was shot in Brescia, Italy. The story takes place right before a Ferrari race went awry and resulted in the death of nine people.

Patrick Dempsey cleaned up nicely before hitting the red carpet for the premiere of his new movie Ferrari at the 2023 Venice Film Festival. However, what really stole the show was his striking silver hair.

Adam Driver spoke at a Venice Film Festival press conference earlier today (Thursday), using his platform to criticize a number of major movie studios over their refusal to play by union rules. Driver is in Venice to promote his appearance in the upcoming Michael Mann movie, Ferrari.

Michael Mann would seem a perfect fit for a biopic of Italian motorsports legend Enzo Ferrari, himself being a master technician and a director working at the high end of his commercial craft. The result, though, is a strangely tame beast, an introspective look at an in-between moment in its subject’s life, when his business hit the rocks, his marriage all but imploded and a series of fatal accidents kept his name in the papers for all the wrong reasons.

Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style. An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.

Adam Driver has criticised Amazon and Netflix for refusing to meet the demands of actors amid the ongoing Hollywood strikes.READ MORE: Hollywood on strike! Every question about the actor and writer protests answeredThe actor shared his criticism while promoting his new film Ferrari at the Venice Film Festival on Thursday (August 31). Prior to the festival, the Screen Actors Guild (SAG) agreed to grant interim agreements to certain productions so they could promote their films.“I’m very proud to be here to be a visual representation of a movie that’s not part of the AMPTP (Alliance of Motion Picture and Television Producers) and to promote the SAG leadership directive, which is an effective tactic, which is the interim agreement.”Driver continued: “The other objective is obviously to say, why is it that a smaller distribution company like Neon and STX International can meet the dream demands of what SAG is asking for — this is pre-negotiations — the dream version of SAG’s wish list, but a big company like Netflix and Amazon can’t?“And every time people from SAG go and support a movie that has met the terms of the interim agreement, it just makes it more obvious that these people are willing to support the people that they collaborate with, and the others are not.”Driver has previously worked closely with Netflix, starring in 2019’s Marriage Story alongside Scarlett Johansson.