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‘Everything Went Fine’: François Ozon’s Assisted Suicide Drama Is Too Restrained To Connect [Cannes Review]

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You can never really predict what François Ozon might do next. As evidenced by his wide-ranging works, from the lush historical drama “Frantz” to the lazy summer romance “Summer of 85,” the prolific director can do just about anything with the stylistic prowess to boot.

His latest, “Everything Went Fine,” comes as another surprise, not because it shocks in any way, but because it’s restrained to the point of lacking any emotion.

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