Cannes Film Festival Kirill Serebrennikov cannes Cannes 2021 Cannes Film Festival Kirill Serebrennikov

‘Petrov’s Flu’: Kirill Serebrennikov’s Contagious, Crazed Drama Is Unhingedly Creative [Cannes Review]

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It’s a good thing you can’t catch a virus from an image because if you could, just a few frames of Kirill Serebrennikov‘s fabulously yeasty, bilious, dank Competition title, “Petrov’s Flu” would bring all of Cannes‘ anti-Covid measures to naught.

A feverish delirium of a film that rollicks through an apocalyptically bleak Yekaterinburg New Years’ Eve as though strapped to an out-of-control hospital gurney, its long takes go on for little eternities, as Serebrennikov weaves queasily into diseased reality and out of splintered memory, colliding bravura filmmaking with theatrical staging and an almost old-fashioned literary vibe.

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