The Studio Ghibli faithful will unlikely be swept away by Earwig and the Witch (definitely not to be confused with Hedwig and the Angry Inch), a pronounced departure from tradition that proves dispiritingly generic in both appearance and tone.
Directed by Goro Miyazaki — his acclaimed father Hayao, receives a “planning” credit here — the studio’s first feature in four years is also the first to forego its trademark hand-drawn, two-dimensional animation with full-blown 3D CG that feels as jarringly intrusive as it does coldly anonymous.
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