If the people censoring inappropriate images out of films are there to protect the people from unnecessary horrors, who protects those protectors?
In the new ‘80s-set, blood-soaked thriller, “Censor,” the answer is clearly no one. But thankfully, for audiences at least, the descent into madness of one film censor after witnessing a particularly violent “video nasty” is quite the enjoyable, utterly disturbing affair.
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