The unmitigated boredom and lackluster unoriginality “All the Old Knives” prides itself on shouldn’t shock anyone. After a long line of dreary espionage flicks — “The 355,” “Red Sparrow,” “Wasp Network,” “Beirut” and so forth — Hollywood, outside of the dependable action franchises like “James Bond” and “Mission Impossible,” has been inconsistent at best, producing spy thrillers that possess an enthralling mix of explosions and romance.
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