Since Mom premiered in 2013 and proved that a CBS multi-cam comedy could contain multitudes — or at least both broadly silly elements for the back row and a serious reflection on addiction — sitcom mogul Chuck Lorre has expanded his brand in the direction of more pointed, often dramatic shows.
One thing Lorre hasn't changed, however, is his desire to have these new half-hours lead with the often-braying chuckles before maturing, forcing critics to suffer through tepid early installments of shows like Bob Hearts Abishola and Plan Bbefore something more nuanced unfolds.
And it usually does! Those are both good shows that blend complex tones and positive intentions. For proof of the disservice this approach can do, look no further than United.
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