a cottage industry in Hollywood for decades. And Cooper is no Hannibal Lecter or Dexter.When Shyamalan wades into more cerebral territory — there’s talk of a “monster” inside of Cooper’s head, for instance, and he has visions of older women taunting him — the film turns even more preposterous than it already was.
Of course, with the “Sixth Sense” director, the question on everybody’s lips is “What about twists?”There aren’t really game-changing shocks here so much as detours.
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