Editors note: Tony Award-winning costume designer Clint Ramos says he felt his “very selfhood slip away” when the industry he loves shut down in March 2020, and with two Tony nominations pending – he’s up for Best Costume Design/Play for The Rose Tattoo, and Best Scenic Design/Play for Slave Play – the designer, born and raised in Cebu, the Philippines, should be unreservedly delighted with the recent rush of planned Broadway openings.
So why has he “been unable to muster a wholehearted sense of hope?” In a guest column for Deadline, Ramos, a lifelong advocate for an equitable landscape in theater and film, poses a series of questions to the industry, raising concerns that he says weigh heavily on the hearts of colleagues of color.
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