David Mackenzie’s “Hell Or High Water” was, pun intended, a high watermark for genre filmmaking in 2016. The low-budget neo-Western became a critical darling straight out of the gate after it premiered at the Un Certain Regard section of the Cannes Film Festival that year.
It went on to receive four Oscar nominations, including Best Picture and Best Original Screenplay for Taylor Sheridan, who has since expanded his genre credentials with “Wind River,” “Those Who Wish Me Dead,” and his “Yellowstone” TV empire.
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