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‘Origin,’ ‘Poor Things’ & ‘The Last Of Us’ Among 2024 USC Scripter Nominations

The BAFTA nominations are in less than 24 hours and the Oscar nominations are in less than a week, but there are still other adjacent awards season nominations to unveil. This morning, The USC Libraries revealed the honorees for the 2024 USC Scripter Awards rewarding the best in adapted screenplays for television and film.
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Taylor Swift Explains New Song, ‘Lavender Haze’, From ‘Mad Men’ Origin to Relationship-Protecting Theme
Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift kept the “Midnights” oil going once again with the late-night revelation of yet another new song, with an explanation of its subject matter to match. But this time, indications are that she may keep going into the wee hours and not just call it a night at 12:02 a.m. The new song Swift revealed and talked about as the clock struck 12 on the east coast is “Lavender Haze.” About the song, Swift said in a video message on Instagram: “Track 1 on ‘Midnights’ is ‘Lavender Haze,’ and I happened upon the phrase ‘lavender haze’ when I was watching ‘Mad Men.’ And I looked it up because I thought it sounded cool, and it turns out that it’s a common phrase used in the fifties where they would just describe being in love. Like, if you were in the lavender haze, you were in that all-encompassing love glow… and I thought that was really beautiful. And I guess theoretically, when you’re in the lavender haze, you’ll do anything to stay there and not let people bring you down off of that cloud. And I think a lot of people have to deal with this now, not just like ‘public figures.’ because we live in the era of social media, and if the world finds out that you’re in love with somebody, they’re going to weigh in on it. Like my relationship for six years: we’ve had to dodge weird rumors, tabloid stuff, and we just ignore it. So this song is about ignoring that stuff to protect the real stuff. I hope you guys like it.”
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‘Call My Agent!’ Star Laure Calamy on Taking on a Darker Role in Venice Film ‘The Origin of Evil’
Elsa Keslassy International Correspondent Best-known for her role as Noemie in the hit French series “Call My Agent!,” Laure Calamy has emerged in recent years as one of France’s biggest stars and most versatile actors. After a busy career in theater and many notable supporting roles, she finally got a shot at leading roles, and kudos have followed, for Caroline Vignal’s romantic comedy “My Donkey, My Lover and I,” which was part of Cannes’ Official Selection and earned her a Cesar award, and Eric Gravel’s social drama “A Plein Temps,” for which she won best actress at Venice in the Horizons section. Calamy is now on a roll and she’s shown that she can play anything. Case in point: Over this summer, she was at Locarno to present Blandine Lenoir’s period drama “Angry Annie,” in which she plays a working mother who joins the Movement for the Liberation of Abortion and Contraception (the film won Variety‘s Piazza Grande Award), and she’s now at Venice with Sebastien Marnier’s psychological thriller “The Origin of Evil,” in which she flirts with genre. In-between Locarno and Venice, she also made a stop at Angouleme Film Festival, where she presented “Angry Annie” and Marc Fitoussi’s “Two Tickets to Greece.”
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