Haynes: Last News

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Hot Docs Artistic Director Hussain Currimbhoy, Programmers Step Down Ahead of 2024 Edition

Naman Ramachandran Artistic director Hussain Currimbhoy and several programmers have stepped down ahead of this year’s edition of Hot Docs, North America’s largest documentary festival. Festival director Heather Haynes will now lead the programming department. A statement from the Toronto-based event said: “Hot Docs has announced that Hussain Currimbhoy stepped down from his role as Artistic Director on March 20th due to personal reasons.
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All news where Haynes is mentioned

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‘Last Summer’ Review: Catherine Breillat Makes Her Comeback With a Thorny Affair Between a Teen and His Stepmom
Peter Debruge Chief Film Critic It began in the son’s room, when father was away on business. L’enfant thought it was l’amour, but for her, 30-odd years his senior, the sex, lies and audiotape were a mistake. Wild at heart, she’d yielded to the taste of … oh, never mind. Competing for the Palme d’Or at Cannes, Catherine Breillat’s “Last Summer” echoes films that have come before — most notably, 2019 Danish drama “Queen of Hearts,” on which it’s based — but it proves most daring in the ways the film departs for its more conventionally moralistic source, and especially in Breillat’s refusal to call either party a parasite. Yes, the affair between a lawyer and her 17-year-old stepson is a betrayal — of her marriage, of her parental responsibilities, of everything she stands for as an attorney — but that’s nothing compared to how the 50-ish woman deals with it when word gets out in this thought-provoking domestic drama. In reviewing the original, Variety’s Guy Lodge wrote, “you can practically envisage a Robin Wright-starring U.S. remake” — which isn’t far from the truth. Backed by fearless producer Saïd Ben Saïd (“Elle”), Breillat gives us the great Léa Drucker (who played far more responsible moms in “Close” and “Custody”) in the role of Anne, who’s introduced representing an underage girl in a sex-crimes case.
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Willie Nelson Duets With Keith Richards, Billy Strings and Sheryl Crow on Night 2 of Hollywood Bowl Birthday Salute
Chris Willman Senior Music Writer and Chief Music Critic Keith Richards was the surprise unannounced guest for night 2 of Willie Nelson’s 90th birthday tribute at the Hollywood Bowl — a surprise, at least, for anyone who hadn’t spotted his name listed in the fine print on the souvenir posters and T-shirts. The Stone rolled in with his signature line of recent decades: “It’s good to be here. It’s good to be anywhere.” Richards (79) and Nelson (you’d have to be really high not to know his age) then followed with two covers appropriate for gents of a certain maturity: “We Had It All” and “Live Forever.” The latter song probably wasn’t written by Billy Joe Shaver to be understood literally, but Sunday night, it sure felt that way. Nelson’s 90th birthday was such a momentous event in pop culture, it merited the two-night treatment it got at the Bowl, filmed by producer Blackbird Presents for theatrical release as well as home video. The actual birthday had come the night before, on Saturday, but as son Micah Nelson said at the beginning of Sunday’s show: “Welcome to the after-birth party.” The biggest difference from night 1, apart from many different guests and most different songs, was the increased presence of the birthday boy himself on stage, for the last 40 minutes of the three-hour-and-40-minute show. Besides Richards, Nelson also participated in collaborations with Sheryl Crow, Billy Strings, his producer Buddy Cannon, Lily Meola and (instrumentally) Booker T.
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