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variety.com
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Issa Rae’s ‘Project Greenlight’ Depicts a Perfect Storm of Hollywood Personality Conflict: TV Review
Daniel D'Addario Chief TV Critic Each episode of the new season of “Project Greenlight” begins with a worthy mission statement. “We’re choosing a woman director,” executive producer Issa Rae tells us, “because ‘Project Greenlight’ has never had one before.” Gina Prince-Bythewood, the director of films including “The Woman King” and also an executive producer here, adds, “It’s about time the world sees how many dope women directors there are just waiting to get their shot.” These are statements that are hard to argue with — “Project Greenlight,” this season, did choose a woman director, the first-time filmmaker Meko Winbush, to pull together a feature film, the sci-fi family drama “Gray Matter,” in just 18 days of shooting. And Winbush, who is Black, is one of many who deserve a chance of the sort the industry doesn’t tend to hand out freely to women of color, something both “Insecure” creator Rae and Prince-Bythewood surely understand well. (They’re two of three putative “mentors” for Winbush on the show, along with actor Kumail Nanjiani, who also co-wrote “The Big Sick.”) And yet the show is purpose-built not to elevate or to celebrate Winbush but to somewhat ruthlessly pull apart the ways in which she might be made to look unready for the job and unsteady on her feet. It’s a shockingly watchable series that evinces that sickly feeling of humiliation from a past, crueler era of reality TV — “The Comeback,” but make it indie.
variety.com
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Robert Downey Jr. Calls ‘Dolittle’ and ‘Shaggy Dog’ the ‘Most Important Films’ He’s Done in the Last 25 Years,’ Says ‘Avengers: Age of Ultron’ Is ‘Content’
Zack Sharf Digital News Director When thinking of the most important movie in Robert Downey Jr.’s filmography over the last 25 years, one might naturally assume the answer is “Iron Man,” the 2008 superhero tentpole that launched the Marvel Cinematic Universe and changed the blockbuster landscape in Hollywood. But that’s not the movie Downey Jr. himself would pick. In a new interview with The New York Times Magazine, the Oscar nominee cited 2006’s “The Shaggy Dog” and 2020’s infamous “Dolittle” flop as his most important titles. “I finished the Marvel contract and then hastily went into what had all the promise of being another big, fun, well-executed potential franchise in ‘Dolittle,'” Downey Jr. said. “I had some reservations. Me and my team seemed a little too excited about the deal and not quite excited enough about the merits of the execution. But at that point I was bulletproof. I was the guru of all genre movies. Honestly, the two most important films I’ve done in the last 25 years are ‘The Shaggy Dog,’ because that was the film that got Disney saying they would insure me. Then the second most important film was ‘Doolittle,’ because ‘Dolittle’ was a two-and-a-half-year wound of squandered opportunity.”

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