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Netflix’s Jeffrey Dahmer Series ‘Monster’ Marks a Grim, All Too Predictable Addition to Ryan Murphy’s Oeuvre: TV Review
Caroline Framke Chief TV Critic It takes six episodes for “Dahmer — Monster: The Jeffrey Dahmer Story” (yes, that is indeed the show’s full name) to meaningfully expand beyond the scope of either the serial killer or Evan Peters’ portrayal of him. In that episode, “Silenced,” directed by Paris Barclay and written by Janet Mock and David McMillan, the story of Dahmer victim Tony Anthony Hughes comes to the forefront. Tony (played with warm charm by “Deaf U” alum Rodney Burford) was a gregarious aspiring model with a big heart. He was Deaf, Black, gay, a great dancer. His friends and mother (a moving Karen Malina White) loved him very much. With every moment Burford gets to give Tony new life, the inevitable end of “Silenced” becomes all the more harrowing, and the cops’ inaction to find the truth all the more infuriating. But as the show’s nonsensical maze of a title suggests, this episode is an exception rather than the rule. Otherwise, Ryan Murphy and Ian Brennan’s new Netflix series is a grim, sepia-toned slog that rarely justifies its own existence.
