Margaret Thatcher: Last News

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express.co.uk
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Kirstie Allsopp locks horns with Nadine Dorries over backlash to Channel 4 privatisation
Location, Location, Location star Kirstie Allsopp knocked heads in a fierce Twitter spat with Nadine Dorries over the privatisation of Channel 4, which airs several of Kirstie's programmes.The pair locked horns after the Culture Secretary wrote an opinion piece addressing the Government’s decision to push ahead with plans to sell off the channel.Nadine, 64, told the British public that it was time for Channel 4 to “fly the nest towards a very exciting future”. In her piece, Nadine wrote that former Conservative prime minister Margaret Thatcher, who set up Channel 4 in 1982, had ultimately wanted it to be “free from the constraints of the state” and described opposition to the move as “lazy, overwrought and ill-informed rhetoric from the Leftie luvvie lynch mob”.Kirstie, 50, who has been a long-time employee of the broadcaster, took to Twitter to disagree with the minister’s decision in view of her 427,000 followers.Yesterday, Kirstie shared Nadine’s article, writing: “Some of the language directed @nadinedorries has been vile 100%. “It’s also crystal clear she doesn’t understand @Channel4, nor why it matters. “Writing this divisive piece abuses her position and illustrates why she is entirely unsuited for the role at @DCMS (the Department for Digital, Culture, Media and Sport).”In a later tweet about Nadine’ piece for The Mail on Sunday, Kirstie questioned whether it was “really ministerial” to describe those contesting privatisation as a “lynch mob” while “at the same time complaining about having been accused of fascism”.Sharing an article about the US Senate passing an anti-lynching Bill, she added: “This piece might make you think twice about using the term.”Reacting to Nadine’s decision last week, Kirstie penned:
variety.com
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‘Sex Education’s’ Gillian Anderson Receives the Variety Icon Award: ‘I’ve Certainly Played Iconic Women’
Gillian Anderson may have lost her usual composure as she searched for words on stage in Cannes on Friday to express what she felt about being given Variety’s 2022 Icon Award.Taking to the stage at the opening ceremony of French TV festival Canneseries to pick up the award, the star – soon to be seen in Showtime’s “The First Lady,” where she plays Eleanor Roosevelt – accepted Variety’s 2022 Icon Award with a mixture of elation and humility. Sporting an elegant multicoloured leather dress, she’d been greeted when walking to the stage by an enormous, heartfelt roar of applause from the packed main auditorium at Cannes’ legendary Palais des Festivals, also site of the Cannes Festival.  “I Googled what ‘icon’ actually meant to see how I identified with being given this award,” she said hesitantly, beginning her speech.“What I can certainly say is that I have played a lot of iconic women in my very long career. Women who have come through barriers and decades to stand above the rest in dramas and in our hearts,” Anderson said. And she listed just a few:: Dana Scully, Miss Havisham, Margo Channing, Blanche DuBois, Marilyn Monroe, Lucille Ball, Margaret Thatcher, Eleanor Roosevelt and David Bowie.
variety.com
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Gillian Anderson, Variety Icon Awardee, on Playing Radical Women and What She’s ‘Rebelled Against’ in Hollywood
Manori Ravindran International EditorFew people can say their comfort zone is in playing strong women, but for Gillian Anderson, it ’s become something of a personal brand.The American-British actor, who was once best-known for her skeptical FBI agent Dana Scully in Fox’s long-running sci-fi hit “The X-Files,” has gone on to play detective Stella Gibson in “The Fall,” notorious British prime minister Margaret Thatcher in “The Crown” and sex therapist Jean Milburn in “Sex Education.” (And you wouldn’t want to cross any of them.)Anderson — who will receive the Variety Icon Award in a ceremony at CannesSeries on April 1 — will next be seen portraying the rarely dramatized Eleanor Roosevelt, opposite Viola Davis’ Michelle Obama and Michelle Pfeiffer’s Betty Ford, in Showtime’s drama “The First Lady.” But portraying no-nonsense women didn’t begin as a conscious choice for Anderson. In 1993, she recognized a “stark difference” between the Dana Scully role and “pretty much everything else on television at the time,” though, at age 24, she wouldn’t have labelled Scully as the feminist icon she’d come to represent.“I don’t think it was as clear-cut in my mind as being, ‘Oh, this is a feminist character,’” she says.

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