Hot Docs: Last News

Jennie Punter Hot Docs has wrapped its 11-day hybrid edition, handing out three more cash prizes, announcing audience top picks, and tipping the hat to the 225 films from 63 countries that screened during the festival.The animated documentary “Eternal Spring,” by Jason Loftus, won the Rogers Audience Award for Best Canadian Documentary, which comes with Cdn. $25,000 cash, and also claimed the top spot in the overall audience poll of cinemagoers and online doc-watchers.“Eternal Spring,” which had its North American premiere at Hot Docs and has racked up other awards this year at European festivals, mixes 3D and new live footage to trace the story of comic-book illustrator Daxiong (“Justice League,” “Star Wars”), a Falun Gong practitioner, who fled China after police began cracking down on members of the outlawed spiritual group.

Addie Morfoot Contributor The 31st edition of Canada’s influential Hot Docs Film Festival, which gets underway Thursday, could very well be the last. For the past month, the Toronto festival, one of North America’s largest dedicated to documentaries, has been roiled by staff and funding turmoil. On March 25, artistic director Hussain Currimbhoy and 10 of the fest’s programmers abruptly exited their posts.

UPDATED, 3:55 p.m.: Without acknowledging them by name, a spokesperson for leading documentary festival Hot Docs has confirmed the departure of “some members of the programming team,” as well as recently appointed Artistic Director Hussain Currimbhoy.

Jennie Punter Last year, during an online panel at Hot Docs film festival featuring Ukrainian documentary filmmakers who were staying in place, Oksana Karpovych told attendees how she’d gained knowledge working alongside foreign media crews covering the war, and was now applying that to her own creative documentary projects. This year, at the festival’s 30th anniversary edition, Karpovych attended the in-person Forum market event to pitch “Intercepted” — her observational doc exploring the aftermath of the Russian invasion of Ukraine in 2022 — which ended up winning the 2023 CMF-Hot Docs Canadian Pitch Prize. With Ukraine in the spotlight at Hot Docs this year, both audiences and industry attendees are getting wide exposure to the films and ideas of leading Ukrainian documentary creators. The timing of this programming is perfect, said Hot Docs programmer Myrocia Watamaniuk, not only for the obvious reason.

Jennie Punter The Changing Face of Europe, which is presented by European Film Promotion (EFP) in collaboration with Hot Docs, returns to Toronto with the sixth edition of its festival-within-a-festival program—nine features and one mid-length film—exploring themes around identity, belonging and struggle. “Over the years, the Changing Face of Europe has become one of the more impactful programs in the lineup, and also an essential component of our festival programming,” Hot Docs artistic director Shane Smith told Variety in advance of the festival. “Europe has a rich history of and strong connection to the art of documentary filmmaking,” he said. “We are delighted to showcase the powerful work coming out of the continent that sheds light on crucial issues facing Europeans today.”

Leo Barraclough International Features Editor Hot Docs and Netflix have revealed the five Canadian documentary projects that will share CAD 175,000 ($130,000) as part of the Hot Docs Incubator program, the latest instalment of the Canadian Storytellers Project. These five projects will each receive CAD 35,000 ($26,000). The program, designed to ignite developing doc projects that show creative and market potential, will also engage filmmakers in a series of intensive workshops focused on story, market preparedness, and career or company building. Work-in-progress scenes of the projects will screen to international decision-makers and Industry delegates at next year’s edition of the Hot Docs film festival.

Leo Barraclough International Features Editor Hot Docs, North America’s largest documentary festival, has unveiled the projects it has selected for the 24th edition of the Hot Docs Forum, the financing event aimed at securing co-productions and funds for feature length documentaries. The Forum returns in-person to Toronto’s Hart House on May 2 and 3 as part of festival, which runs April 27 to May 7. Nineteen projects representing 16 countries and featuring 23 filmmakers, 12 of whom are women and 11 of whom are black, indigenous and people of color, will pitch to international decision makers and members of the documentary community. An additional Wild Card pitch will be selected live at the Forum.

Leo Barraclough International Features Editor Hot Docs, North America’s largest documentary festival, has revealed the first slate of films to screen as part of its Special Presentations program at the 30th edition of the festival, running April 27 to May 7 in Toronto. The Special Presentations program, which features high-profile subjects, award-winning films and filmmakers, and original perspectives on current events and pressing issues, will screen in cinemas across downtown Toronto during the festival. The program covers an extensive array of subjects, from a behind-the-runway look at racial diversity in the fashion industry to a harrowing documentation of the recruitment of child soldiers in Uganda. International premieres include “Black Barbie: A Documentary,” a deep dive into the true story of Black Barbie, from her origins to her contemporary presence; “Food and Country,” New York Times’ food critic Ruth Reichl’s uncovering of our broken food system, and the innovators risking everything to transform it; “Stephen Curry: Underrated,” the story of one of the greatest NBA players working today; and “Periodical,” an eye-opening documentary examining the politics, science, and mystery of the menstrual cycle.

Leo Barraclough International Features EditorInternational sales company Andana Films has acquired Islamic State documentary “Rojek,” which has its North American premiere in Hot Docs’ Canadian Spectrum section on Saturday.The film, which had its world premiere in the International Competition section at Visions du Réel, will have a theatrical release in Canada through Maison 4:3.In the film, director Zaynê Akyol talks to imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. It is “an unexpected look at a far-reaching current political issue, and a film whose subject matter and rhythm create an impressive cinematic object,” Andana stated.Mariam Zaidi at Hot Docs said: “The Syrian Democratic Forces, mostly Kurdish, as well as the international coalition, have succeeded in dislodging the Islamic State from their last stronghold and ending their project of establishing a caliphate in Syria.

Jennie Punter Twenty projects from 19 countries have been selected for the 23rd edition of the Hot Docs Forum, the marquee feature financing event of the annual documentary festival, which runs in hybrid format from April 28 to May 8 in Toronto.Of the projects’ 26 filmmakers, 14 are women, and 15 are BIPOC. Projects include stories around space rocks, solar power and crusading mushrooms, and process docs that follow characters in their homelands, schools and warzones over several years.Over two days in advance of the festival, Forum project teams present their seven-minute pre-recorded pitches to a “round table” of decision-makers and financiers, from whom they then receive eight minutes of live feedback, which is also recorded.

Christopher Vourlias Irish public broadcaster RTE has acquired the rights to “Four Seasons in a Day,” director Annabel Verbeke’s documentary feature about the inhabitants straddling the post-Brexit divide between Northern Ireland and Ireland, Variety has learned exclusively. Cologne-based 3Boxmedia brokered the deal.“Four Seasons in a Day” offers a glimpse at the contentious Brexit debate through the eyes of the tourists and locals aboard the Carlingford ferry, which shuttles passengers between British-controlled Northern Ireland and the Republic of Ireland, a member of the European Union.

Christopher Vourlias When the coronavirus pandemic began sweeping across the globe last year, Canada’s Hot Docs, one of the world’s leading documentary film festivals, was among the first international fests forced to pivot to an online edition. But while the abrupt shift might’ve caught the organizing team off-guard, the result hardly felt like a compromise: along with virtual screenings of more than 200 films, the festival attracted a record number of buyers to its doc market.One year later, audiences and industry players alike have grown accustomed to a virtual festival experience, and Hot Docs is poised to build on the success of last year’s trial by fire.

Leo Barraclough International Features EditorLeading documentary festival Hot Docs has selected the 20 projects that will be presented during the online edition of its project market, Hot Docs Forum, which runs May 4-5.Among the projects’ 25 filmmakers, 10 helmers are Black, Indigenous or People of Color, and 20 directors are women.

Naman Ramachandran Brett Hendrie will leave Canada’s Hot Docs, one of the leading documentary festivals in the world, after 20 years with the organization, the last eight as executive director.Hendrie is departing to take on a new role at University of Toronto’s Rotman School of Management. He will leave after programming and logistics are finalized for the upcoming online festival, which takes place Apr.

The Hot Docs Canadian International Documentary Festival has gone to plan B— a virtual market for film buyers and sellers— after the physical festival set to run April 30-May 10 in Toronto was canceled as a precaution against the coronavirus pandemic. "Although it will never replace the powerful human connection of coming together in community, we're grateful to be able to host our industry activities virtually, allowing all of us to support outstanding and outspoken films getting made," Elizabeth Radshaw, industry programs director for Hot Docs, said Thursday in a statement.

The Hot Docs Canadian International Documentary Festival, set to take place in Toronto from April 30 to May 10, has been postponed as a precaution against the coronavirus pandemic. While scrapping live event programming for the upcoming 2020 edition, organizers added they had plans to create virtual online platforms for industry events like pitch presentations and one-on-one meetings.

In today’s film news roundup, film festivals in San Franciso and Toronto are being canceled or postponed, the American Cinematheque stops screenings and veteran executive Jon Berg lands a new gig.