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The BAFTA Film Awards have unveiled this year’s longlists for 25 categories, and in the lead are Jacques Audiard’s rollicking crime drama Emilia Perez and Edward Berger’s craft papal thriller Conclave. Scroll down for the lists in full.

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‘Anora’ & ‘The Brutalist’ Lead London Critics’ Circle Film Awards Nominations – Full List

Sean Baker’s Anora and Brady Corbet’s The Brutalist have topped the nominations for the 45th London Critics’ Circle Film Awards, making it into seven categories each.

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‘Anora,’ ‘The Brutalist’ Lead London Critics’ Circle Film Award Nominations

Naman Ramachandran Sean Baker’s “Anora” and Brady Corbet’s “The Brutalist” have topped the 45th London Critics’ Circle Film Awards nominations with seven nods each. Edward Berger’s “Conclave” and Coralie Fargeat’s “The Substance” followed with six nominations each, while Jacques Audiard’s “Emilia Pérez” secured five nods. Mike Leigh’s “Hard Truths” and Rich Peppiatt’s “Kneecap” each received four nominations.

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‘Conclave’ And ‘Wicked’ Lead Critics Choice Awards Film Nominations – Full List

Conclave and Wicked lead the 30th Critics Choice Awards film nominations, with 11 nominations each, the Critics Choice Association announced today.

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Edward Berger’s ‘Conclave’ Sets Peacock Premiere Date

Edward Berger‘s Oscar contender Conclave, the papal thriller starring Ralph Fiennes, is set to begin streaming exclusively on Peacock on December 13.

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Original Score Race Finds Eclectic Sounds, Approaches From Wide Array of Composers Such as Kris Bowers and Tamar-Kali

Jon Burlingame The Academy music branch has expanded its Oscar original-score shortlist from 15 to 20 films this year, widening the field of potential nominees in a year of varied approaches and soundscapes. Composer Kris Bowers already has an Oscar, but it’s not for music; it’s for producing the 2023 documentary short subject “The Last Repair Shop.” His best shot yet for music awards is “The Wild Robot,” about a machine that becomes mother to an orphaned gosling on an island without human inhabitants.

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How Globe-Trotting Locations and Foreign Tax Incentives Helped Propel ‘Dune 2,’ ‘Queer,’ ‘Maria’ and Other Contenders Into the Oscar Race

Christopher Vourlias This year’s Academy Award contenders take audiences on journeys across space and time, from the Colosseum of ancient Rome to the drug dens of mid-century Mexico City, from the cramped confines of a network TV studio to the infinite sandscapes of a far-off planet. Making these Oscar hopefuls took a variety of factors, including peerless production design, a range of foreign tax incentives, the work of countless location scouts and a bit of moviemaking sleight of hand to transform even familiar places into entirely unexpected destinations.

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Santa Barbara Film Festival: Timothée Chalamet To Receive Arlington Artist Of The Year Award

UPDATED with latest: Timothée Chalamet has been tapped to receive the Arlington Artist of the Year Award during the 40th edition of the Santa Barbara Film Festival. The honor will be bestowed February 11 during an-person tribute and career retrospective.

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Edward Berger & Austin Butler Out With Hot Time Travel Package ‘The Barrier’; MacMillan Hedges To Adapt His Own Short Story – The Dish

EXCLUSIVE: All Quiet on the Western Front helmer Edward Berger and Elvis Oscar nominee Austin Butler are out to the town with The Barrier, a hot time-travel package that is expected to spur competitive bidding, sources tell Deadline.

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‘A Complete Unknown,’ ‘Conclave’ and ‘Gladiator II’ Among AARP Movies for Grownups 2024 Best Picture Nominees

Emiliana Betancourt AARP The Magazine has announced the nominees for the annual Movies for Grownups Awards. The best picture contenders are “A Complete Unknown,” “Conclave,” “Emilia Pérez,” “Gladiator II” and “September 5.” The best actress race includes Pamela Anderson (“The Last Showgirl”), Marianne Jean-Baptiste (“Hard Truths”), Nicole Kidman (“Babygirl”), Demi Moore (“The Substance”), and June Squibb (“Thelma”).

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‘Conclave’: Why Isabella Rossellini Chose To Play Her Nun Role “With A Lot Of Authority”

Model, actor and animal behaviorist Isabella Rossellini has no regrets. At the golden age of 72, the child of actress Ingrid Bergman and Italian director Roberto Rossellini has learned her fair share of lessons during her five decades-long career. Now, in Edward Berger’s papal whodunnit Conclave, Rossellini transfers that resilience to Sister Agnes, a primarily silent yet intimidating nun tasked with caring for the cardinals as they meet to elect a new Pope after the former one dies under mysterious circumstances. As the candidates, marshaled by Cardinal Lawrence (Ralph Fiennes), backstab and clandestinely strategize, Sister Agnes holds crucial information.

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Peter Bart: Indies Put Their Faith In Older Demos For Serious Fare Like ‘Conclave’

“The best antidote for a bad election is a good movie,” Richard M. Nixon once proclaimed, and for many filmgoers this week Conclave helped blot out the political noise. A papal thriller with a shock ending, Conclave’s impact (it’s a film, not a streaming movie) again raises the question of whether serious adult fare can again command a strong market niche.

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Palm Springs International Film Awards to Honor ‘Conclave’ With Ensemble Performance Award

Jack Dunn The Palm Springs International Film Awards will honor Edward Berger‘s Catholic drama “Conclave” with the ensemble performance award on Jan. 3 at the Palm Springs International Film Festival, which runs from Jan.

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‘Conclave’ Costume Designer Lisy Christl on Why the Cardinal’s Crosses Were an Important Character Detail

Jazz Tangcay Artisans Editor “Conclave” costume designer Lisy Christl made some changes to the vestments worn by the Catholic cardinals, whose look in real life is quickly recognizable, to bring them to the screen. The first change: the fabric. Christl opted for a heavier wool than what is used in the real-life clothing.

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Filming in Italy Is ‘More Convenient Than Ever,’ Argue Panelists at AFM: ‘We’ve Built a Ferrari With Our Tax Credit System. Now, We Need a Circuit for It to Run’

Marta Balaga AFM might have moved to Las Vegas, but some things remain exactly the same, including Italy’s commitment to be seen as an attractive spot for international productions. “It’s a good opportunity to remind our colleagues that Italy has always been, and still is, a key player in our industry. Still, we want to improve even further,” says Marco Valerio Pugini, president of APE [Association of Executive Producers – Production Service Companies].

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Isabella Rossellini on ‘Conclave’ and How She Almost Didn’t Get ‘Death Becomes Her’ Role Because the Studio ‘Wanted Someone More Famous, More Established’

Clayton Davis Senior Awards Editor Despite a career with varying celebrated roles, Isabella Rossellini has never received an Academy Award nomination. This year, fans and critics alike are hoping that changes with her latest film, “Conclave.” At the Middleburg Film Festival, the iconic actress graced the grounds of the Salamander Resort to promote “Conclave,” directed by Edward Berger. Interviewed there for the Variety Awards Circuit Podcast, Rossellini gave astounding insights into her iconic career, discussed her latest role, and reflected on the intricate dance between artistic expression and the commercial pressures that define the film industry.

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‘Conclave’ Prays for Oscar Attention: How Do Religious Movies Perform With Academy Voters?

Clayton Davis Senior Awards Editor Will the Oscars answer “Conclave’s” prayers? Edward Berger’s mystery thriller has been one of the buzziest films to emerge from the fall festivals. Adapted from Robert Harris’ 2016 novel, the film premiered at Telluride, where it received raves from attendees. Since then, its awards prospects have grown, especially following its Audience Award wins at the Mill Valley and Middleburg fests.

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Older Demos, Still Elusive, Bless ‘Conclave’ Amid Indie Surge – Specialty Box Office

Four top films this weekend are indies – five including The Substance at no. 11, as the specialty market roars back to life. No. 3 at the domestic box office is a great story, Conclave from Focus Features, the studio behind the Downtown Abbey films. excels at drawing still elusive but key older demos to theaters and broadening out from there as it did most recently with Oscar-winning The Holdovers.

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‘Conclave’ is a Simmering Papal Thriller

Conclave, a simmering political thriller about succession, set at the feet of a dead Pope.“The throne of the Holy See is vacant,” so the College of Cardinals have convened at the Vatican for a Papal conclave, to elect a new pope. While some cardinals come to Rome determined to rally support for their preferred candidate, others arrive prepared to promote their own candidacy in an expectedly ruthless contest to garner enough votes in the conclave and become the next pontiff.Overseeing the contentious proceedings is Cardinal Thomas Lawrence, one of the late Pope’s closest associates, portrayed by Ralph Fiennes with an air of genuine loss and dutiful purpose, and just a flicker of personal ambition.For nearly everyone else inside the Vatican, ambition and animus seem to be the fuels stoking their fire.

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‘Conclave’ Couldn’t Film at the Sistine Chapel, So the Production Team Built a Replica in 10 Weeks

Jazz Tangcay Artisans Editor SPOILER ALERT: This article contains spoilers for “Conclave,” now playing in theaters. It’s no secret that the Vatican prohibits filming inside the Sistine Chapel, and the headquarters of the Catholic Church was not going to make exceptions for Edward Berger‘s “Conclave.” Based on the Robert Harris thriller of the same name, the film stars Ralph Fiennes as Cardinal Lawrence, who is charged with overseeing the election of a new pope after the current pope dies. It was up to production designer Suzie Davies to take on the mammoth task and get creative in recreating one of the world’s most visited tourist attractions, Michelangelo’s piece de resistance. Enter Rome’s Cinecitta studios – which is no stranger to housing re-creations.

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A real Catholic cardinal let Ralph Fiennes try on his robes for ‘Conclave’: ‘Invited to his chambers’

the pope movie “Conclave,” in theaters Friday, and wanted to spend time with the real deal.Head-first Fiennes went a bit further than that.“I get a text from Ralph, who had met a cardinal, and the cardinal had invited him to his chambers,” Oscar-winning director Edward Berger told The Post. “On the bed in his chamber was laid out the cardinal robe,” Berger continued, “and then Ralph sent me a [photo] of him … in those robes, in the real robes, with a beaming smile … so proud.”There was a problem, however, because Berger, who directed Best International Feature winner “All Quiet on the Western Front,” was going in a different direction with the official’s outfits.“The costume designer and I knew that we don’t love the way the present-day cardinal robes look,” he said.

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