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‘Stan Lee’ Review: A Tasty Documentary About the Visionary of Marvel Makes the Comics Look Better Than the Movies
Owen Gleiberman Chief Film Critic There’s a moment in “Stan Lee,” David Gelb’s lively and illuminating documentary about the visionary of Marvel Comics, that’s momentous enough to give you a tingle. The year is 1961, and Lee, approaching 40, is burnt out on comics. It’s a form he has never taken all that seriously, even though he’s been working at it since 1939, when he started, at 17, as a gofer for Timely Comics. (Within two years he’d become the company’s editor, art director, and chief writer.) The comics he creates get so little respect that he tries to hide his profession when asked about it at cocktail parties. In 1961, though, Lee receives a directive from Martin Goodman, the publisher of the company that’s about to be renamed Marvel. He is ordered to devise a team of superheroes that can compete with DC’s Justice League (who have become the fulcrum of the so-called Silver Age of Comics). Lee, weary of superheroes, is ready to quit the business. But his wife, the English-born beauty Joan Lee, suggests that he create the kind of characters he has always been talking about — a more realistic brand of comic-book figure, one that ordinary people could relate to.
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Tribeca’s Doc Slate Brims Over With Celebrity-Driven Fare, Tackling Subjects Including Milli Vanilli and Dan Rather in Addition to Thornier Social Issues
Addie Morfoot Contributor While gender, race and politically-themed documentaries are once again prevalent at Tribeca Festival, celebrity-driven docus dominate this year’s nonfiction lineup.David Gelb’s “Stan Lee,” Stephen Kijak’s “Rock Hudson: All That Heaven Allowed,” Luke Korem’s “Milli Vanilli,” Frank Marshall’s “Rather,” Betsy Schechter’s “Gloria Gaynor: I Will Survive,” and Fernando Villena’s Oscar De La Hoya doc “The Golden Boy” are among the nonfiction titles focused on a bold face name screening at Tribeca, which kicks off on June 7.Marshall calls “Rather,” about longtime news anchor Dan Rather, a “very personal project.”“The collection of stories (Rather) has covered, it’s my history and the history of our country over the past 60 years,” says Marshall. “Dan dreamed of being a reporter and spent a large part of his career in journalism at CBS, including anchoring the CBS Evening News for twenty-four years, so it seemed natural to come to New York City and celebrate the world premiere of our film at Tribeca.”For director Michael Selditch, Tribeca Festival was also the perfect location for the world premiere of his latest docu “Happy Clothes: A Film About Patricia Field,” about the iconic costume designer known best for her work on “Sex and the City.”“Tribeca seemed to make a lot of sense because it is a New York story and Patricia is a New York icon,” says Selditch.The director originally asked Field to be the subject of a documentary in 2019, but she declined.

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