Danielle Brooks: Last News

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Black Women on Broadway (BWOB) Awards To Honor Aisha Jackson, DeDe Ayite, And Irene Gandy On June 10

The  Black Women on Broadway Awards, which celebrates the legacy and achievements of Black women in the Broadway community, announced they are returning for their third annual in-person event where Irene Gandy, Aisha Jackson and DeDe Ayite will be honored. The 2024 BWOB Awards will take place in New York City at The Lighthouse at Chelsea Piers on June 10 for their work at the highest level of commercial live theater in the U.S. The awards show, which is an offshoot of the  Black Women on Broadway (BWOB) Instagram account  launched in June 2020 and lead by Oscar and Tony nominee Danielle Brooks, Amber Iman and Jocelyn Bioh, who just received a Drama League and Outer Critics Circle nomination for her Broadway play Jaja’s African Hair Braiding. 
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Actors on thriving and surviving in the Hollywood awards season
The Hollywood awards season kicks into full gear this weekend with Sunday’s Golden Globes ceremony, and actors are pondering how to enjoy the onslaught of attention and survive the ups and downs.Britain’s Carey Mulligan, a two-time Oscar nominee who is vying this year for a Best Actress Golden Globe for her role in “Maestro,” cuts to the chase: “Oh, just enjoy it and have fun and don’t take it too seriously.”Mulligan said she is delighted by what she calls “a lovely sisterhood” of actresses nominated this year, including Margot Robbie, Emma Stone, Lily Gladstone and Greta Lee.Oscar-winning Stone, nominated for a Best Actress Golden Globe for “Poor Things,” acknowledged that the awards season is both “very nerve-wracking and very exciting.”On the arrivals line at the Palm Springs Film Festival this week, Golden Globe nominees shared their mix of elation, disorientation, and the need to take care of one’s mind, body, and spirit. The season runs through the Oscars on March 10 and includes several awards show stops and countless interviews.“It is a lot of attention on the project, that’s good, but at the same time I can understand how someone can get a little sideways with this runaway circus,” said Jeffrey Wright, nominated for best actor for “American Fiction,” adding, “I want our film to be seen.”Colman Domingo, vying for his first Golden Globe for best actor in “Rustin,” said the advice he gets from actors who have been through the awards season is to focus on self-care.“So don’t think about who is winning, don’t think about those things,” Domingo said.
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‘The Color Purple’ is an Emotionally Satisfying Musical Journey
The Color Purple often succeeds as a thoughtful fusion of two other adaptations of Alice Walker’s landmark novel that still confidently hums its own tune.In shakier moments, though, confidence gives way to nostalgia, when the film hammers home its reinterpretations of quotable scenes and dialogue from the Quincy Jones-produced, Steven Spielberg-directed 1985 adaptation with an insistence that borders on flashing “Hey, remember this?” in bold type onscreen.Creating and saying something new with such proven material, while also purposely coaxing audience sentiment for a beloved original, surely posed a formidable challenge for Bazawule and company. And having Jones, Spielberg, and Oprah Winfrey — the big guns and big breakout from the 1985 film — onboard as producers must have eased and complicated the gig in unfathomable ways.Oprah and Jones also had a hand in the original Broadway musical adaptation, which has spun off its own lore and legacy, and adds another meta layer of pop-lit gloss to what this film aims to freshly reinterpret.The stage musical — with a book by Marsha Norman, and lyrics and music by Brenda Russell, Allee Willis, and Stephen Bray — has amassed its own roster of breakout stars, including American Idol winner Fantasia Barrino, who made her 2007 Broadway debut stepping into the lead role of Celie, and Orange Is the New Black‘s Danielle Brooks, Tony-nominated for playing Sofia opposite Cynthia Erivo in the 2015 Broadway revival.Barrino and Brooks reprise their respective roles here with a lived-in grace and fortitude that does freshly illuminate Walker’s moving narrative, the lifeblood that courses through every iteration.
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