Brandi Carlile: Last News

Hours after news broke of Sinead O’Connor‘s death, Pink and Brandi Carlile honored the late musician with a powerful live tribute.

Pink and Brandi Carlile are honoring the late Sinéad O’Connor.

Pink and Brandi Carlile are honoring the late Sinéad O'Connor. After news of O'Connor's death broke on Wednesday, Pink and Carlile took the stage in Cincinnati, Ohio, to pay tribute to the Irish-born global star with a stunning duet of «Nothing Compares 2 U.» The duo is currently on tour together, with Carlile serving as support on Pink's North American Summer Carnival 2023 dates.

P!nk and Brandi Carlile paid tribute to Sinéad O’Connor at a show last night (July 26) – watch them cover ‘Nothing Compares 2 U’ below.The acclaimed Irish singer and activist died yesterday (July 26) at the age of 56, her family announced.“It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time,” read a statement by the singer’s family reported by The Guardian.At P!nk’s show in Cincinatti, Ohio on Wednesday, she brought Carlile to the stage and told the crowd: “When I was a little girl, my mom grew up in Atlantic City and I used to go down to the Ocean City Boardwalk with my ten dollars and I would make a demo tape… I would make a little cassette tape and imagine it was my demo for the record company.“And it would always be either ‘Greatest Love of All’ by Whitney Houston or ‘Nothing Compares 2 U’ by Sinead O’Connor.

Pink wowed audiences in Europe with her 2023 Summer Carnival tour and now the shows have moved to North America!

Pink’s ‘Summer Carnival 2.0 Tour’ mean one thing:It’s officially the summer of Pink.And if you’ve already seen “Barbie” in theaters, it isn’t too late to catch Pink live at a stadium or arena near you.From July 24 through Nov. 18, Pink has 46 (!) huge concerts and festival appearances lined up to keep the summer going long past the first day of school.That includes gigs at New York City’s Citi Field on Aug.

Rufus Wainwright has celebrated his 50th birthday by performing a cover of Neil Young‘s ‘Harvest Moon’ live – see the performance below.To celebrate his milestone, Wainwright held a party titled “Rufus & Friends 50 isn’t the end” at the Montauk Lighthouse in New York.During the set, he covered ‘Harvest Moon’ with Chris Stills, a song which he covered on recent covers album ‘Folkocracy’.Watch the performance of the cover below.‘Folkocracy’ came out last month and features guest contributions from David Byrne, ANOHNI, John Legend and more.The album of folk music reinventions marks the artist’s 50th birthday and also features special guests Brandi Carlile, Sheryl Crow, Chaka Khan, Andrew Bird, Nicole Scherzinger, Susanna Hoffs, Van Dyke Parks and Madison Cunningham.“This album is almost like a recorded birthday party and birthday present to myself. I just invited all the singers that I greatly admire and always wanted to sing with,” Wainwright said in a press statement.Wainwright also embarked on a ‘Folkocracy’ world tour, which will also mark the 25th anniversary of his 1998 self-titled debut album and the 20th anniversary of 2003’s ‘Want One’, along with 2004 companion, ‘Want Two’.“The older I get, the more I appreciate how valuable my folk knowledge is, to have had it ingrained in me as a child,” Wainwright said.

Levitate Music and Arts Festival.This year, that weekend is taking place Friday, July 7 through Sunday, July 9 and based on the annual festival’s lineup made of folk rockers, jam bands, reggae artists and more, it appears, the vibes will be on point as usual for the three-day weekend.Just a few of the melodious headliners gracing the stages at the Marshfield Fairgrounds stages this year include Brandi Carlile, Trey Anastasio Band, Stick Figure, Goose and Ziggy Marley.Shakey Graves, Rebelution, Lucius, Ripe and Peach Pit will be there too.Still, we’re most excited to see the legendarily chill Donovan Frankenreiter live.Plus, you won’t want to sleep on the live art or more than 30 food trucks (!) on the festival grounds all weekend long either.Need last-minute tickets for the multi-day musical extravaganza ASAP? We’ve got your back.Our team found three-day general admission passes going for $199 before fees on Vivid Seats at the time of publication.Single-day passes start at $150 before fees.Still need to know more about Levitate before levitating your finger over the purchase button?Keep reading.We’ve got everything you need to know and more about the annual multi-faceted festival below.All prices listed above are subject to fluctuation.A complete breakdown of all single-day and multi-day Levitate general admission passes can be found right here:(Note: The New York Post confirmed all above prices at the publication time.

Chris Willman Senior Music Writer and Chief Music Critic Live music was back, in 2022, but in 2023 it’s really back-back. Taylor Swift is soon to have history’s first billion-dollar-grossing tour, and in an era when music can sometimes feel shunted off to the side in pop-culture conversations, the “Eras Tour” feels bigger than any movie or TV show.

Dolly Parton has said she wouldn’t entertain the idea of having her own AI hologram because she doesn’t want to “leave my soul on Earth”.Parton was asked during a press conference whether she’d ever consider creating a show using a hologram of herself, in the style of ABBA’s current Voyage show.“I think I’ve left a great body of work behind,” she said. “I have to decide how much of that high-tech stuff I want to be involved [with] because I don’t want to leave my soul here on this earth.“I think with some of this stuff I’ll be grounded here for ever… I’ll be around, we’ll find ways to keep me here.” [via The Independent]She also joked that “everything” about her, including “any intelligence” was artificial anyway.Parton also went into more detail about her forthcoming rock album ‘Rockstar’, which is set for release on November 17.She explained that she wanted to get Mick Jagger to appear on the album “so bad” as her husband Carl Dean “loves” him.“I wanted him to sing on ‘Satisfaction’ but he wanted something new and different, which I don’t blame him for that, so I wound up singing that with Pink and Brandi Carlile.“We kept looking for the right song and he was doing an album in LA, and he did some stuff in Nashville, and I kept missing him everywhere.

LOVE, will grace the event’s Meadow Stage on Saturday afternoon.Rogers joins a lineup of queer artists and allies that also includes the band Lucius, Brandy Clark, Yola, Celisse, local faves Oh He Dead, and one of Rogers’ early artistic heroes, Rufus Wainwright.“Rufus is someone I found in college,” Rogers recalls. “That kind of blew my whole world up as far as this incredibly prolific singer-songwriter, writing these songs as an openly gay person in the late ’90s, early 2000s. That is so important and so inspiring to me.”Rogers, who learned piano while still a kid in Ozark, Missouri, had taken to writing his own songs as a necessary means of self-expression and preservation.

Chris Willman Senior Music Writer and Chief Music Critic When Bobbie Nelson, longtime pianist for her brother, Willie Nelson, died in March 2022 at age 91, she left behind a recently completed posthumous album, recorded collaboratively with singer Amanda Shires. That record, “Loving You,” is finally seeing the light of day and shedding additional daylight on Nelson’s supreme talent as a player, which wasn’t always the main point of focus in the Nelsons’ family band, for obvious reasons. As a happy byproduct, this beautiful labor of love also casting sunshine on Shires’ skills as a vocal interpreter, as they both take on Willie songs, standards (“Over the Rainbow” and “Summertime,” the latter with a guest vocal from Bobbie’s brother) and other shared favorites.

Chris Willman Senior Music Writer and Chief Music Critic Singer-songwriter Brandy Clark has enjoyed triumphs recently on two fronts. Ten years of work on the score for her first Broadway musical, “Shucked,” paid off with a Tony nomination and a Drama Desk Award win for her and score co-writer Shane McAnally. And the Nashville resident’s self-titled fourth album, which found her friend Brandi Carlile moving into the producer’s chair, got the kind of great reviews that augur for more Grammy nominations (on top of the 10 nods she’s already picked up over the years). While she was making one of her many visits to New York, Variety caught up with her for a Facetime feature to discuss both her new Warner Records album, one of the year’s best, and the hit musical, which has a cast album of its own. The joint timing is coincidental, of course (“Shucked” was originally tagged for a 2020 opening, with an out-of-town run in D.C. that was just about to begin when the pandemic kicked in). That she gets to talk about two home runs at once makes her career seem far from anything that ends in “-ucked,” unless lucked applies.

Elton John has revealed that he has developed a “brand new show” for his set at Glastonbury 2023.The singer-songwriter announced the update in a new interview with BBC Radio One — where he admitted that he has already planned for the upcoming set to be unlike any of his past performances.He is set to take to the stage on Sunday for the final night of the 2023 instalment (June 25), and will perform on the Pyramid Stage as part of the music icon slot. The gig will also mark the final date of his mammoth Farewell Yellow Brick Road tour, which has spanned over 350 dates across the course of five years.Originally, the farewell tour was set to draw to a close in 2021 — allowing the now-76-year-old to spend more time with his family — however, this was later rescheduled due to the COVID-19 pandemic, and later by a hip injury he sustained last year.Now, according to the new interview, it seems that the ‘Rocketman’ singer is looking to end his live shows with a bang, and has planned for the Sunday set to feel like a “brand new show”.“I’m starting with a song I haven’t played for about 10 years, so we’ll see how it goes,” he began.

Chris Willman Senior Music Writer and Chief Music Critic No one could deny that there were star-driven aspects to this past weekend of shows at one of America’s most beloved outdoor venues, the Gorge, all of them headlined or organized by Brandi Carlile. That was apparent soon enough for anyone driving out of Seattle-Takoma Airport to make the three-hour drive to the remote amphitheater in the middle of Washington state, as the freeways were dotted with cars with “Brandi or Bust!” (or messages about the “Bramily”) emblazoned on their rear windshields. And Carlile wasn’t the biggest star appearing over the three nights. No one lords over a cult of personality right now, actively or passively, quite like Joni Mitchell. Not so very long ago, Mitchell was more or less seen as one boomer icon among many, yet she has somehow just in the past few years graduated — with no campaigning on her part, but with valuable microbursts of assistance from Carlile — to being arguably the most revered North American singer-songwriter of any generation. Bob Dylan can only be looking on a little jealously at how his old friend and rival has kind of quietly been pushed ahead of him in the line, even as she did not much more than stay out of sight and work to recover from a debilitating aneurysm.

Joni Mitchell had a big moment back on stage.

Joni Mitchell has been one of the most honored musicians of this century. She’s picked up honors from the Kennedy Center, Library of Congress, the Gershwin Prize for Popular Song, and an honorary degree from the Berklee College of Music.

Chris Willman Senior Music Writer and Chief Music Critic Joni Mitchell wrote rather presciently about “The Circle Game” 57 years ago, but anyone who’s experienced a little life knows that circles don’t always — or even very often — come back around to allowing people to enjoy some of the most triumphant nights of their lives when they’re reaching the end of their 70s. Yet with a little bit of an assist from Brandi Carlile, aka the Great Enabler, and her wide circle of friends, that’s what was able to happen Saturday night at the Gorge in Washington state, in a nearly three-hour “Joni Jam” echoed a similar but much shorter event that happened last year at the Newport Folk Festival. This more elaborate follow-up — billed as Mitchell’s first ticketed concert in 20 years — was partly a tribute concert and consummate love-fest. But mostly it was a testament to the singer-songwriter’s own willpower in fighting her way back to full performance mode after a debilitating physical setback that went unmentioned but was not far out of mind. However much Mitchell was in “basking” mode, it was understood that this triumph represented a circle that she really had had to close herself.

Pride Bar Crawl DC (www.crawlwith.us/washingtondc/pride), a 6th annual self-guided bar-hop to five centrally located, primarily non-LGBTQ venues, organized by Crawl With Us, which pledges that 20 percent of this year’s event proceeds will go to the Capital Pride Alliance.From 4 to 10 p.m. on Saturday, June 17, bar crawlers will enjoy exclusive drink specials, plus one or two complimentary drinks, and select food specials as they go, at their own pace and in whatever order they choose among participating venues including Chinatown’s Howl at the Moon and Tom’s Watch Bar-Capital One, Dupont Circle’s Ghost Dupont Diner and Phantom Lounge, plus a fifth venue TBA.

Joni Mitchell played her first full headline show in over 20 years last night (June 10) – see footage, the full setlist and more below.Last July, Mitchell performed a surprise set at the legendary Newport Folk Festival – which she last appeared at in 1969 – delivering a 13-song “JONI JAM” set that featured Brandi Carlile on the tracks ‘Carey’, ‘A Case Of You’ and ‘Big Yellow Taxi’.Soon after that, Carlile announced that Mitchell would play a special ‘Joni Jam’ performance at the Gorge Amphitheatre in Washington state. It was her first headline performance in 23 years.At the show, like the Newport performance, Mitchell played with Carlile and a group of collaborators including Marcus Mumford, delivering a 24-song set of tracks from across her career and a few covers.Opening with ‘Big Yellow Taxi’, she then played favourites from her iconic LP ‘Blue’ including ‘A Case Of You’, ‘Carey’, as well as a cover of George Gershwin’s ‘Summertime’ and more.As the LA Times reports, Carlile guided Mitchell through the performance, reading out signs from the audience at one point.

Joni Mitchell is releasing a live album of her comeback live performance at Newport Folk Festival last summer – watch her perform ‘A Case Of You’ with Brandi Carlile and Marcus Mumford below.Last July, Mitchell performed a surprise set at the legendary music festival – which she last appeared at in 1969 – delivering a 13-song “JONI JAM” set that featured Carlile on the tracks ‘Carey’, ‘A Case Of You’ and ‘Big Yellow Taxi’.The new live album, titled ‘At Newport: Featuring the Joni Jam’, will be released on July 28, and the performance of ‘A Case Of You’ has now been shared online.It comes ahead of a special ‘Joni Jam’ performance tonight (June 10) at the Gorge Amphitheatre in Washington state. It will be her first headline performance in 23 years.Watch the performance of ‘A Case Of You’ from Newport below.Mitchell opened up about her endeavours to re-learn the guitar in a recent interview with CBS Mornings.