Bill Nighy: Last News

EXCLUSIVE: Greenwich Entertainment has acquired North American rights to the gospel documentary Stay Prayed Up, which premiered to critical acclaim at the Telluride Film Festival and DOC NYC, for release in theaters on June 17.

Bill Nighy is a national treasure who must be protected at all costs, and if you need further evidence of this then he has shared his passion for fashion in a new interview – and, in particular, cardigans.The renowned actor, 72, who has starred in films including Love Actually, Hot Fuzz and Emma, is always impeccably dressed and revealed that he ‘take[s] clothes very seriously as objects’.However, cardigans see things step up a gear for the Bafta-winner, who admitted to having a genuine physical reaction to the garments.The star, who buys them for his daughter Mary, has a soft spot for Prada’s women’s line as he claims ‘you can’t get chicer than that’.He’s also considering buying some house cardigans for himself, although he despairs at men’s cardigans always being ‘four inches too long’.Speaking about his serious yen for them, he explained: ‘I go weak about certain cardigans, I’m not exaggerating to be amusing. It’s for real.’‘I get a funny feeling, a physical sensation,’ he added to GQ.Nighy recalled his younger, poorer days too, saying that he knew he was doing well ‘when my shoes didn’t squelch’.‘Every night, I would put my Doc Martens on the windowsill to air and I would never wash my socks, because I only had one pair.

Get an extended glimpse at TV’s next big reboot.

A new television version of David Bowie’s classic film The Man Who Fell To Earth had its world premiere today at SXSW, and Showtime has followed up by releasing the first five minutes of the drama series.

Naman Ramachandran A massive fire broke out on Thursday afternoon local time at Dalton Mills, the disused West Yorkshire factory used on “Downton Abbey” and “Peaky Blinders” shoots.Confirming the incident, the West Yorkshire Fire & Rescue Service posted on their website: “We currently have fire engines & specialist units in attendance at a fire at Dalton Mills, Keighley. There is a lot of smoke in the area & residents are advised to keep doors/windows closed.

Doctor Strange actor Chiwetel Ejiofor and No Time to Die's Naomie Harris have joined forces in the first trailer for Showtime's TV adaptation of The Man Who Fell to Earth, which has just dropped. Based on the 1963 book by Walter Tevis, The Man Who Fell to Earth series follows Faraday (Ejiofor), an alien who is left attempting to understand his purpose after landing on Earth at a pivotal moment in human evolution.

The trailer for The Man Who Fell to Earth has been released!

The brand new trailer for “The Man Who Fell to Earth” has been released, starring Chiwetel Ejiofor and Naomie Harris.

Jenelle Riley Deputy Awards, Features EditorEven if you don’t know the story of heralded photographer W. Eugene Smith or the Japanese fishing village of Minamata, you are likely familiar with the photograph Tomoko and Mother in the Bath. The 1971 black-and-white photo captures Ryoko Kamimura cradling her severely deformed daughter Tomoko, a victim of Minamata disease, in a Japanese bath.

David Bowie‘s The Man Who Fell To Earth.The classic sci-fi movie, based on Walter Tevis’ 1963 novel of the same name, marked one of Bowie’s most memorable roles, as Thomas Jerome Newton – an alien posing as a human in an attempt to save his home planet.Nighy joins Chiwetel Ejiofor, Naomie Harris and Rob Delaney who were all previously announced for the Showtime series.“I was honoured to be invited to play the part of Thomas Jerome Newton that glorious David Bowie made so famous,” said Nighy in a statement to Deadline.“I was keen to work with Chiwetel and Naomie again. I think the story is terrific and brilliantly expressed.

Bill Nighy (Love Actually) has been tapped to star opposite Chiwetel Ejiofor and Naomie Harris in Showtime’s The Man Who Fell To Earth drama series, based on the Walter Tevis novel and the cult classic 1976 film starring David Bowie. Nighy will play the role played by Bowie in the film in the series, which comes from Alex Kurtzman, Jenny Lumet and John Hlavin. It will premiere later this year.

The Sundance Film Festival is revealing award winners for its 2022 edition on Friday afternoon beginning at 2 p.m. PT. Like the rest of this year’s festival, which was forced to go all-virtual because of the recent Omicron surge, the awards ceremony is playing out on Twitter.

Rebecca Rubin Film and Media Reporter“Living,” an acclaimed re-imagining of Akira Kurosawa’s classic meaning-of-life story, has been sold to Sony Pictures Classics follow its premiere at Sundance Film Festival.Sony Pictures Classics, the indie division of Sony Pictures, has acquired rights in North America, Latin America, India, Scandinavia, Eastern Europe, Germany, South Africa, Southeast Asia, and airlines worldwide. A release date has not been announced yet.“Living” was directed by Oliver Hermanus and written by Nobel Prize-winning author Kazuo Ishiguro.

EXCLUSIVE: Living, one of the Sundance buzz titles since its January 21 premiere, has been acquired by Sony Pictures Classics for around $5 million for North American and some international territories, Deadline hears. This after a brisk auction involving the likes of Neon, Bleecker Street, and Focus Features.

Peter Debruge Chief Film Critic“What would you do if you had six months left to live?” asks the doctor who diagnoses a do-nothing bureaucrat with terminal cancer in “Ikiru,” a 1952 masterpiece I suspect precious few of those who see its English-language remake, “Living,” will recall. Quite unlike anything else in Akira Kurosawa’s career, “Ikiru” ranks among the Japanese director’s best: With no samurai battles or set-pieces, the low-key contemporary melodrama raises profound questions about how we choose to spend the limited time we’re afforded, focusing on a stoic functionary about whom even the narrator apologizes, “He might as well be a corpse.”Culturally specific as so much of “Ikiru” may be, its lessons translate quite well to midcentury British society, courtesy of Nobel-winning novelist Kazuo Ishiguro, who did the work of adapting it to 1953 London for director Oliver Hermanus (“Moffie”).

Even in its truncated virtual Covid-afflicted form last year, the Sundance Film Festival was remarkably able to debut several movies that a year later we are still talking about in the Oscar conversation including CODA, Jockey, Passing, Flee, and Mass. Maybe this success was due to the fact they all had one word titles, but more realistically it was because despite all the drawbacks, the fest honchos picked very well and now awards voters are enjoying the riches.  As I have been seeing one film after another in this year’s (virtual) fest I find myself looking for that breakout movie or performance which with the right distribution we will be talking about still a year from now. There have been some promising performances so far from the likes of Julianne Moore, Bill Nighy and a couple still to come later, but the wow factor really hit me in seeing Emma Thompson in the British film Good Luck To You, Leo Grande, premiering today at Sundance, where to put it mildly, she knocks it out of the park. This is Thompson at her best, a witty, dazzling. and above all brave performance that will undoubtedly be talked about. Her co-star Daryl McCormack  in this two-hander is equally good in the movie which centers on a 60ish widowed mother of two and religious studies teacher who hires a sex worker for a tryst in a hotel room. It is much more complicated than that, in this story of two disparate souls who come together, one full of anxiety and past regrets, the other professional to his core but with a guard he will not let down and a line he will not cross.

I have always had a philosophy that if you are going to do a remake, remake a movie that didn’t work the first time like Howard The Duck,not a classic by a great filmmaker. Well, the latter is exactly what director Oliver Hermanus (Moffie) and Nobel Prize winning screenwriter Kazuo Ishiguro (The Remains Of The Day, Never Let Me Go) have had the audacity to do in “reimagining” (the popular term for remakes today) iconic Japanese director Akira Kurosawa’s highly praised 1952 drama Ikiru. And they haven’t even bothered to change the early 50’s era in which it takes place, only the location and language. moving from Japan to England. Despite my reservations I am happy to say Living, which has its World Premiere at the Sundance Film Festival today, works very well and that is solely thanks to the loving care these filmmakers have put into a new version exactly 70 years after the first was released.  Of course it helps to have a writer on the level of the great and admired Ishiguro who vowed to be faithful to the script of Ikiru by Kurosawa, Shinobu Hashimoto, and Hideo Oguni. There have been some character enhancements, a new love story and other touches but this all holds up and shines a light on life and purpose all this time later as it centers on a decades-long straight-laced office bureaucrat (played in the original by Takashi Shimura) who has been lost in grief for many years following the death of his wife but only discovers the magic of living himself when he is told he is going to die. The other blessing for this version is in the absolutely 100% perfect casting of Bill Nighy who could not be better as the man in question, Mr. Williams.

score record-breaking pacts despite the fact that all-night bidding wars were conducted over Zoom.This year’s festival has a number of high-profile features that should attract buyers’ attention, either because they feature A-list stars like Lena Dunham, Dakota Johnson and Regina Hall or because they deal with hot topics like abortion rights and religion. There are also a number of documentaries exploring everything from the rise of TikTok to the fight to prevent a climate change catastrophe that could score major sales.

Brent Lang Executive Editor of Film and MediaWhen Aimee Lou Wood would tell people that she was starring in “Living,” a re-imagining of Akira Kurosawa’s classic story of a terminally ill bureaucrat’s quest for meaning, the response she received terrified her.“Everyone I spoke would tell me it was their favorite film of all time or the most beautiful film of all time,” she says. “It was a lot of pressure.”But after watching the original, she became convinced that “Living,” which moves the setting from Japan to 1950s Great Britain, had used the elements of Kurosawa’s story that made it so powerful, but provided a fresh perspective that’s uniquely its own. It also helped that the film gave Wood, best known for her work as the popular and big-hearted teenager Aimee Gibbs on Netflix’s “Sex Education,” a chance to work alongside one of her acting icons, Bill Nighy.

‘I may not always love you…’ as soon as those lyrics kicked in on Saturday night I was a, and I cannot stress this enough, blubbering mess of a human.You see, this Christmas marks two-and-a-half years since I’ve seen my family, and let me tell you, if you’re not seeing your own this year may I suggest watching something not as heart-shatteringly painful as the final scene of Love Actually?Every year it’s a thing we all do, isn’t it? Watch a bunch of people fall in and out of love, have their hearts mended and broken, yell at Alan Rickman, cry for Emma Thompson and wonder whether we’d be in a better spot if Hugh Grant was actually PM, all because it’s December.This year it was no different, and it was all well and good until that sodding

The magazine editor and Bill have been seen together at a number of fashion shows over the years. They have also been spotted together at theatres and restaurants in London and New York in the past. Rumours surrounding Anna and Bill’s relationship have swirled since 2010 but Bill has declined to comment on their friendship in the past. He told the MailOnline in 2015: ‘Obviously I have nothing to say about that.