Alexandre Desplat: Last News

Terry Flores “Guillermo del Toro’s Pinocchio” has picked up another award on its march to the Oscars, nabbing the feature prize at the 50th Annie Awards, presented by ASIFA-Hollywood, on Saturday evening. In addition to being named the top film by the animation industry, “Pinocchio” led the winners’ list with five trophies overall, including the award for best direction for del Toro and fellow director Mark Gustafson. The stop-motion movie also picked up wins for music (Alexandre Desplat, Roeban Katz, del Toro and Patrick McHale), production design (Curt Enderle and Guy Davis) and character design (Tucker Barrie). Del Toro, who came directly from the PGA Awards where he received the trophy for producing ‘Pinocchio,’ was thrilled to win the Annie for direction alongside Gustafson. “Can I say this? I wanted the fucking Annie so much. It’s the most gorgeous thing in the world!” He noted that the Annies ceremony was the one place that he didn’t have to point out that animation is a medium and not a genre. “What I can say is about ‘Pinocchio’ is that it was done by artists, and the animators were treated like cast and not technicians.”

Jazz Tangcay Artisans Editor Diane Warren and Son Lux were among the winners Wednesday evening at the 4th annual Society of Composers & Lyricists Awards. The awards recognize original score and songs in visual media across seven categories. Darren Criss, hosted the banquet at the Skirball Center in Los Angeles. Damien Chazelle and his go-to composer Justin Hurwitz received the Spirit of Collaboration Award. The duo has collaborated on five films including “Babylon,” “La La Land,” “Whiplash,” “First Man” and “Guy and Madeline on a Park Bench.” The presentation of the award was accompanied by a musical performance including “Audition (The Fools Who Dream)” from “La La Land,” the “First Man” theme for harp and theremin, and a “Babylon” medley which included “Voodoo Mama” and “Herman’s Hustle.”

The Society of Composers & Lyricists (SCL) presented the winners of the 4th Annual SCL Awards for score and songs in visual media tonight at the Skirball Cultural Center.

It’s impossible to talk about Guillermo del Toro’s Pinocchio without considering the music. Del Toro’s Netflix adaptation of the Carlo Collodi story takes place in 1930s Italy, during the Fascist reign of Benito Mussolini. In this story, woodcarver Geppetto (David Bradley) loses his son Carlo in an aerial bombing and carves Pinocchio (Gregory Mann) from the tree at his son’s grave. Composer Alexandre Desplat, who worked with del Toro on The Shape of Water, was tasked with capturing the “joyous melancholy” of the wooden boy in music. To enhance the connection between the character of Pinocchio and the music, Desplat made the choice to only use wooden instruments in the score. Below, Desplat breaks down three key pieces of the score – “Carlo’s Theme”, “Going to Town” and “Saving Geppetto” – with the corresponding scenes included for reference.

Chatting away to Sally Hawkins, as you do, in the fabled Abbey Road Studios in posh North London neighborhood of St. John’s Wood, she tells me ”I feel fine” when I inquire after her well-being.

Oscar nominee Kate Hudson flaunted her taut tummy in a red cut-out dress while attending Netflix's Golden Globe and Critics Choice nominee toast at West Hollywood hotspot Catch LA on Sunday.The 43-year-old daughter of Goldie Hawn relied on her loyal glam squad to help prep her for the party - stylist Sophie Lopez, hairstylist Gregory Russell, and make-up artist Debra Ferullo.Kate - who just celebrated her eldest child's 19th birthday - made sure to pose with the big boss, Netflix CEO Ted Sarandos, at the bash. Mother-of-three: Oscar nominee Kate Hudson flaunted her taut tummy in a red cut-out dress while attending Netflix's Golden Globe and Critics Choice nominee toast at West Hollywood hotspot Catch LA on SundayHudson mingled with the likes of four-time Oscar winner Alejandro González Iñárritu, whose latest offering Bardo: False Chronicle of a Handful of Truths is streaming on Netflix.Speaking of Mexican maestros, Oscar-winning director Guillermo del Toro also greeted the Los Angeles native alongside his Pinocchio lyricist Roeban Katz and composer Alexandre Desplat.Kate's new movie Glass Onion: A Knives Out Mystery is nominated for best picture (musical/comedy) and Daniel Craig is nominated for best actor (musical/comedy) at the 80th Golden Globe Awards, which air this Tuesday on NBC.Hudson played politically-incorrect designer Birdie Jay in Rian Johnson's critically-acclaimed who-done-it also, which scored six nods (including best acting ensemble) at the 28th Critics' Choice Awards airing January 15 on The CW.

The Society of Composers & Lyricists has unveiled its SCL Award nominees for 2023, naming composers Alexandre Desplat (Guillermo del Toro’s Pinocchio), Carter Burwell (The Banshees of Inisherin), Michael Abels (Nope), Michael Giacchino (The Batman) and John Powell (Don’t Worry Darling) as its contenders for Outstanding Score for a Studio Film.

The Film Academy has unveiled its 15-track shortlist for the Best Original Song Oscar in 2023, which marks a confluence between stars old and new.

Director Guillermo del Toro is known for the intense originality of his work, on vivid display in Oscar-winning films from Pan’s Labyrinth to The Shape of Water. For his latest, the Netflix animated film Guillermo del Toro’s Pinocchio, he again set a high bar for himself.

Deadline’s Sound & Screen Film award-season event last week showcased the music and scores from nine buzzy awards-season movies, with composers and songwriters performing their work with the help of a 60-piece orchestra in front of an live audience at UCLA’s Royce Hall.

Alexandre Desplat opened Deadline’s Sound & Stage awards-season event representing the music from his latest project, Guillermo del Toro’s Pinocchio. The Netflix animated film currently available to stream and is the duo’s second collaboration following Best Picture Oscar winner The Shape of Water.

Some people may be slow to go to cinemas as the pandemic eases, but here in Los Angeles, they’re certainly not sluggish to head to awards season events, and Netflix took over the old Amoeba Records space on Sunset Blvd Monday (aka The Lighthouse Artspace) for their very swanky, in-person concert Playlist event which touted a lineup of platinum composers and music supervisors working on their projects.

An enthusiastic rendition of Happy Birthday rang through the auditorium at the world premiere of Guillermo del Toro’s Pinocchio as the London audience was informed Gregory Mann, the film’s lead voice actor, had just turned 13. 

The 66th BFI London Film Festival is set to host the world premiere of Guillermo del Toro’s Pinocchio, the Oscar-winning director’s dark take on the classic fairy tale about a wooden marionette brought to life to mend the heart of a grieving woodcarver named Geppetto.

Jon Burlingame editorBrian Tyler, composer of the “Fast and Furious” franchise, “The Avengers: Age of Ultron” and “Crazy Rich Asians,” was named a BMI Icon at Wednesday night’s 38th annual Broadcast Music Inc. Film, TV and Visual Media Awards in Beverly Hills.Tyler (above, right) is among the top 10 highest-grossing film composers of all time.

Elsa Keslassy International CorrespondentGerman actor Oliver Masucci and French star Fanny Ardant have joined the cast of Roman Polanski’s new movie “The Palace,” which will surely be a subject of controversy at the Cannes Film Festival where distribution rights are being sold.The ensemble drama, which had already cast Mickey Rourke, will be headlined by Masucci, the German actor who appeared in “Fantastic Beasts: The Secrets of Dumbledore” and the Netflix series “Dark,” and Ardant, the esteemed French star of “La Belle Epoque” and “8 Women.” Budgeted at €13 million ($13.9 million), the movie is currently shooting on location in Gstaad, Switzerland, and is being sold by Wild Bunch International, the powerhouse behind several movies competing at Cannes, notably Arnaud Desplechin’s “Brother and Sister,” Claire Denis’s “Stars at Noon” and the opening night film “Final Cut” from Michel Hazanavicius. The key crew includes Oscar-winning music composer Alexandre Desplat, along with Polanski’s regular cinematographer Pawel Edelman, who previously worked with Polanski on “An Officer and a Spy,” “The Pianist,” “Oliver Twist” and “The Ghost Writer,” as well as set designer Monica Sironi (“Volare”).“The Palace” is produced by Luca Barbareschi at Eliseo Entertainment company, and co-produced by CAB Productions in Switzerland and Lucky Bob in Poland.Penned by Polanski and Jerzy Skolimowski, the movie takes place at a palace in Gstaad on New Year’s Eve in 1999.

This morning, in a rare feat, composers Trent Reznor and Atticus Ross pulled a pair of Original Score nominations for Soul and Mank.