Alex Gibney: Last News

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UTA Signs Oscar-Nominated Composer Laura Karpman (EXCLUSIVE)

Jazz Tangcay Artisans Editor Global talent, entertainment, sports and advisory company UTA has signed composer Laura Karpman for representation in all areas. The signing comes on the heels of her Oscar-nominated score for best picture nominee “American Fiction.” In a statement, Karpman who has won five Emmys said, “While I’m at my core a musician and composer, there are so many things that spark me creatively.
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Longtime Jigsaw Exec Stacey Offman Exits Alex Gibney’s Production Company
Addie Morfoot Contributor Stacey Offman, Jigsaw Production’s exec VP of development and production, is exiting the company to work as an independent producer, Variety has confirmed. Longtime Jigsaw producer Erin Edeiken to serve as head of production for Alex Gibney’s shingle going forward. Offman, who is exiting on May 19, joined Jigsaw Productions in 2012. In her 11-year tenure at the documentary production company, Offman was part of the team that launched Jigsaw’s television branch as well as the creation of a vertical of non-fiction series and documentaries for an array of studios and broadcast partners. Offman’s recent projects include Jigsaw’s “Dirty Money,” a six-part investigative series which exposed corruption and financial malfeasance in some of the most influential companies and industries. The series began streaming on Netflix in January 2018. In addition, Offman developed “Salt, Fat, Acid Heat,” a 2018 four-part Netflix culinary travel series based on Samin Nosrat’s book by the same name, which won a James Beard Media Award. Offman also spearheaded notable political projects including Showtime’s Emmy winning “Kingdom of Silence” (2019) and Apple TV’s Emmy nominated series “The Line” (2021).
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‘Money Shot: The Pornhub Story’ Review: A Netflix Documentary Explores the World’s Reigning Porn Site and the Clampdown On It
Owen Gleiberman Chief Film Critic Pornography, as a visual medium, has long followed the lead of technology. First it was drawn by hand. Then it was photographed. Then it was shown in back rooms on 8mm one-reelers. Then it was shown in movie theaters. Then it moved to video cassettes and DVD. Then it arrived on the Internet. Then, in the age of Pornhub, it exploded on the Internet. That’s when porn-on-the-computer innovation became the all-porn-all-the-time revolution. “Money Shot: The Pornhub Story,” a documentary that drops March 15 on Netflix, is not a movie about the cultural prominence or significance of porn in our time. Someone should really make that documentary. It’s a story that, like so much else about pornography, is totally out there yet hidden in the shadows. “Money Shot,” directed by Suzanne Hillinger and produced by Alex Gibney’s Jigsaw Productions, does touch on key aspects of how porn today is manufactured and consumed — notably how technology has helped to blur, if not obliterate, the distinction between the porn professional and the elevated “amateur.” But the movie explores this mostly in the service of telling the story of how Pornhub, the largest porn site in the world, became a lightning rod of controversy when it was accused of being a place that abetted sex trafficking and the sexual abuse of children.
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