Apart from the few but mighty completists of renegade filmmaker Abel Ferrara, the primary draw to watch “Padre Pio” is star Shia LaBeouf making his first on-screen attempt at a comeback after facing domestic abuse allegations.
The star credits the film with prompting his conversion to Catholicism and helping to begin the process of repairing his life.
Whatever catharsis the film prompted off-screen is not the territory of any review, but it’s notable that whatever transformation may have occurred in production finds little to no expression on screen.
Continue reading ‘Padre Pio’ Review: Shia LaBeouf’s On-Screen Redemption Play From Abel Ferrara Holds Little Power [Venice] at The Playlist..
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