Based on the synopsis alone, one would think John Trengove’s “Manodrome” to have two feet in satire: Jesse Eisenberg is Ralphie, a father-to-be lulled into a libertarian masculinity cult led by Adrien Brody.
It is odd, then, to see the South African director mindlessly bypass the clever beats of parody in favor of a dreary mishmash of classics such as Martin Scorsese’s “Taxi Driver” and David Fincher’s “The Fight Club.” With a kid on the way, losing his job was not on Ralphie’s plans.
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