Lawrence Matthews was ready to retire his musical alter-ego Don Lifted in late 2019. "I felt like I was at the end of what that body of work was," he told his local alt-weekly, The Memphis Flyer, in an interview published last week. "I was just not where I wanted to be." He'd booked a cross-country tour, hoping but hardly expecting that something would come of it, taking two albums worth of material — lo-fi rap and R&B that embraced shoegaze and experimental indie textures, promising and peculiar music that hadn't taken him as far as he'd deserved — on the road for what he thought would be the final time.
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