Owen Gleiberman Chief Film CriticIf you grew up with Frank Zappa, and he loomed large in your youth-cultural pop rebel sandbox (as he did in mine), he seemed to be many things at once.
The outrageous hippie with the thick black T-shaped goatee who looked weird and threatening enough to represent something very far removed from peace and love.
The avant rock ‘n’ roll absurdist who led the band of wilted flower children known as the Mothers of Invention. The scandalous joker seated half-naked on a toilet seat in the iconic ’60s poster that read “Phi Zappa Krappa.” The airy and sophisticated pop-rock-jazz prodigy who, starting around the time of “Hot Rats” (1969), began to put together songs that had the intricate quality of hypnotic musical.
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