“He’s not only who he is at home,” the friend of a Korean filmmaker tells the director’s daughter in Hong Sang-soo’s latest film.
But “who he is at home” is at the heart of what “Walk Up” is all about. Structurally ingenious, with each of the film’s vignettes set on a different story of a Seoul apartment building, “Walk Up” follows another Hong-like filmmaker, Byung-soo (Kwon Hae-hyo) into different homes, which offer in turn different versions of who he is, or could be.
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