new york film festival: Last News

Baz Luhrmann’s “Elvis” did last year. The eccentric manager is only mentioned in passing.

Yep, that’s cursed, alright. That idea, a hex, a curse, the concept, the phrase, is explored in delightfully weird ways in “The Curse,” easily one of our most anticipated series of the year that’s almost upon us.

When a film is the only non-fiction film to screen at three major fall film festivals in a row— Telluride, Toronto, and New York Film Festival main slate— you know that film is unique and worth paying attention to. Directed by Paul B.

casual open-mouth kisses, for one). Still, the actor works so hard it hardly works. Nothing Cooper does is organic or authentic, and his show-off performance is always stilted.

Legendary musician and composer Ryuichi Sakamoto died in March 2023 of cancer at the age of 71 and much of the world mourned. While perhaps not the most famous musician/composer on earth, the Japanese musician was a musical icon nonetheless.

Happy belated birthday to filmmaker David Fincher (“Fight Club,” “Seven,”), who turned 61 yesterday, and today unveils the trailer for his most anticipated new movie, “The Killer.” An assassin thriller about a job gone wrong, the movie has been mostly shrouded in mystery for months, but we know it stars Michael Fassbender, an actor Fincher had been keen on working with for years.

With SAG and WGA strikes and little talent to promote them, the deep worry about this fall was that festival season would suffer. And guess again, as the 2023 New York Film Festival proves, anything is but the case.

The SAG and WGA strikes threatened to really ruin the fall film festival season for a minute there. And while some films eventually did bail, not wanting to risk the idea of now acting talent there to promote it— “Challengers” and “Dune 2” for two examples—despite the challenges of promotion and worries around it, the 2023 fall film festival selections have been excellent at all of the festivals.

There’s quite a bit of uncertainty surrounding the film industry as we end the summer and look towards the fall, courtesy of the dual strikes from the WGA and SAG. We’ve already seen some high-profile films vacate the fall space and move into 2024, but there are still quite a few big projects that are hoping to take part in the yearly fall festival circuit.

Venice may have Luca Guadagnino’s “Challengers” with Zendaya and Josh O’Connor to open the annual soiree on the Liido, but the New York Film Festival is going to kick off with some Cannes gold. Today, the Film Society of Lincoln Center revealed that Todd Haynes’ “May December,” which premiered on la Croisette, will open the 61st edition of the New York Film Festival.

With a formalist’s eye for visual symmetry, an architect’s sense of structure, and a poet’s ability to stoke the passions raging inside his precisely balanced frames, Park Chan-wook makes ferociously controlled films about ferocious, uncontrollable impulses. Ever since his international breakthrough with 2003’s “Oldboy,” remembered most for the oft-imitated hallway sequence in which a hammer-wielding Choi Min-sik lays waste to enemy waves in a righteous bid for freedom, the South Korean filmmaker has been widely associated with operatic bursts of sexuality and extreme violence, the kind often considered a signature of the New Korean Cinema.  Park has hardly shied from this notoriety, even binding “Oldboy” together with “Sympathy for Mr.

Two filmmakers renowned for recent works of autofiction, Mia Hansen-Løve and Charlotte Wells, are both riveted by the process of blending details from their lives together with invented artistic elements. At the 60th New York Film Festival last Saturday, the filmmakers convened inside Lincoln Center’s Francesca Beale Theater for an hour-long conversation about their NYFF Main Slate selections.

First, a confession: I came to “Personality Crisis: One Night Only,” knowing next to nothing about the New York Dolls or its lead singer, David Johansen. Sure I’d heard of them and heard a fair amount of the Dolls’ music, and Johansen’s, and that of his alter ego Buster Poindexter (including the once-ubiquitous “Hot Hot Hot,” which he now calls “the bane of my existence”).  For this viewer— and, for I suspect, a fair number of others — the draw of “Personality Crisis” is Martin Scorsese, who co-directs with his frequent collaborator David Tedeschi.

For over two decades, Elvis Mitchell, a film critic for LA Weekly and The New York Times, has wanted to put Blaxploitation in its proper historical place. While the results of his desire would prototypically arrive from Mitchell in the form of a book, sadly, those plans went for naught.

Albert Serra has up to now been known for his revisionist period films, which include prankishly unconventional treatments of Don Quixote (“Honor of the Nights,” 2006), Casanova (“The Story of My Death,” 2013) and Louis XIV (“The Death of Louis XIV,” 2016).  With “Pacifiction,” he makes his first film with a contemporary setting—and made his debut in the main competition at Cannes, where the film premiered—but it’s in many ways the closest he’s come to classic historical fiction.

Albert Serra has up to now been known for his revisionist period films, which include prankishly unconventional treatments of Don Quixote (“Honor of the Nights,” 2006), Casanova (“The Story of My Death,” 2013) and Louis XIV (“The Death of Louis XIV,” 2016).  With “Pacifiction,” he makes his first film with a contemporary setting—and made his debut in the main competition at Cannes, where the film premiered—but it’s in many ways the closest he’s come to classic historical fiction.

“He’s not only who he is at home,” the friend of a Korean filmmaker tells the director’s daughter in Hong Sang-soo’s latest film. But “who he is at home” is at the heart of what “Walk Up” is all about.

As we are seeing this film festival season return to what we all knew and loved pre-pandemic, we are so excited to have one of the longest-running U.S.-based film festivals return for its 60th year (yes, 60!!).

Yes, we premiered the trailer for the 60th New York Film Festival—which runs September 30–October 16, 2022—this morning, but there’s more. Film at Lincoln Center announced the Spotlight section for NYFF today and added a few world premieres in the line-up while there were at it.

This year’s New York Film Festival is a special edition of the annual event. Celebrating the festival’s 60th year, NYFF is pulling out all the stops to bring New York City the very best cinema has to offer this year with an eclectic selection of filmmakers bringing their latest works.

said in a statement.Directed by Chukwu, the film also stars Whoopi Goldberg, Frankie Faison, Haley Bennett, and Sean Patrick Thomas.The trailer, released on Monday, shows Emmett’s mother (played by Danielle Deadwyler) fighting back tears as she says, “This was my boy, Emmett Till.”The clip then shows Emmett (played by Jalyn Hall) preparing for his visit to see his cousins.“The lynching of my son has shown me that what happens to any of us, anywhere in the world, had better be the business of us all,” Emmett’s mother says in the trailer.Carolyn Bryant Donham — then just Carolyn Bryant and 21 years old — accused Till of making improper advances and obscene comments toward her while she was working the register of her family’s store in Money, Miss., in August 1955.Till, who was in town from Chicago to visit relatives, allegedly whistled at her, according to a cousin who witnessed the interaction. Such an interaction violated the racist code of behavior in the Jim Crow-era South.Donham told her husband, Roy Bryant, about the alleged encounter.