Lee Hyeyoung: Last News

“This might sound very irresponsible, but I don’t know what I’m doing,” South Korean filmmaker Hong Sangsoo told a Berlinale presser this afternoon when quizzed on his unique directing style. 

Patrick Frater Asia Bureau Chief Leading Korean rights sales firm Finecut is to handle the international distribution of “A Traveler’s Needs,” which on Monday was confirmed as debuting in the main competition section of next month’s Berlinale. Remarkably, it is director Hong Sang-soo’s sixth selection for Berlin since 2020. The picture is also the third time that French acting icon Isabelle Huppert stars in a film by the Korean veteran director, following their previous joint efforts “Claire’s Camera” and “In Another Country.” A synopsis provided reads: “She came from France.

“He’s not only who he is at home,” the friend of a Korean filmmaker tells the director’s daughter in Hong Sang-soo’s latest film. But “who he is at home” is at the heart of what “Walk Up” is all about.

Jessica Kiang If ever you’ve glanced into lit-up living rooms while driving down a suburban street at dusk, or glimpsed a neighbor’s apartment over their shoulder when you drop off a package, and found yourself idly wondering not just what the inhabitants’ lives are like, but what maybe your life would be like if you occupied those exotic domestic spaces — well, has mischievous Korean miniaturist Hong Sangsoo made a movie for you. “Walk Up,” the festival darling’s latest benignly sozzled, black-and-white delight, daydreams around that idea, its gentle profundity smuggled in under cover of multilevel playfulness. The movie is a play on time, on imaginative shoestring filmmaking, and on Hong’s own persona. It’s even a play on words, with its three stories sprouting out from each other over three separate stories of the same Seoul walk-up. 

Cinema Guild has acquired U.S. rights to The Novelist’s Film, the Silver Bear Grand Jury Prize winner from South Korean writer-director Hong Sangsoo, which recently made its world premiere at the 2022 Berlin Film Festival. The film is the third Silver Bear winner in as many years from Hong—who won Best Director for The Woman Who Ran in 2020 and Best Screenplay for Introduction in 2021—and will be the 11th of the director’s works released by Cinema Guild in the last seven years.

Jessica Kiang Hong Sangsoo characters have a habit of — you might even say a genius for — diffidence in the face of profundity. In that way, they’re very like the films in which they appear: outwardly casual, slight, polite, holding pain and truth and existential observation in check with an airy gesture, a sad smile or, in “In Front of Your Face,” the South Korean auteur’s second film this year (after the Berlin-awarded “Introduction”), an unexpected peal of utterly genuine, soul-repairing laughter.Certainly, Sangok (the luminous Lee Hyeyoung, who, like her character, gained considerable fame in South Korea decades ago but has not acted much recently) laughs at the strangest moments.