‘The Disciple’ Review: A Nuanced Look at a Determined Hindustani Musician, Exec Produced by Alfonso Cuarón
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variety.comJay Weissberg When Chaitanya Tamhane’s extraordinary debut “Court” premiered in Venice’s Horizons section in 2014, it heralded the arrival of a bright talent willing to take risks with a cerebral kind of independent cinema.
Graduating to competition at Venice before traveling to other top festivals, the Indian director’s second feature “The Disciple” is more ambitious in scope and also more personal, though Tamhane’s approach, abounding in establishing shots, could distance viewers intimidated by their unfamiliarity with north Indian classical music.For those able to set aside potentially daunting feelings of ignorance, this rich, multi-layered story of a young man’s dedication to mastering the spiritual and technical elements of “raga”.
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