Horror has enjoyed such a ubiquity boost since the 2010s that the most humble of its niches, the slasher, went dormant for a few years at the start of the boom.
This isn’t a bad thing. As the industry and filmmakers have gradually stopped treating horror as if it’s disposable and started maximizing it if not as art then at least as product, slashers, one of the best investments anyone can make in horror, have lost favor.
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