storytelling: Last News

Zuri Adele’s case, imitation and information go in both directions.On Freeform’s hit show Good Trouble, Adele portrays Malika Williams, a headstrong social justice enthusiast from a scarred childhood. A spinoff of another hit teen and family program, The Fosters, Good Trouble is a snapshot of the intertwined lives and dramas of millennials from different walks of life converging in downtown Los Angeles.

Jazz Tangcay Artisans EditorTo underscore the strange spin on work-life balance in the new Apple TV Plus series “Severance,” cinematographer Jessica Lee Gagné worked closely with production designer Jeremy Hindle on a variety of subtle lighting choices to deliver a world of contrast to audiences.In the sci-fi drama, which is currently streaming, workers at tech company Lumon Industries have agreed to be microchipped, dividing their memories between home and office.The corporate world of Lumon is windowless and sparsely furnished, with stark white walls, a deep green carpet and four cubicles for new employee Mark, played by Adam Scott, and co-workers Helly (Britt Lower), Irving (John Turturro) and Dylan (Zach Cherry). Gagné was able to find lighting cues and nuances in the script to offer variation in the overwhelming white office.

Nick Vivarelli International CorrespondentThe Turkish TV market is being shaken up by the arrival of more U.S. streaming platforms, which are driving up production costs, but also providing a new burst of opportunity for talent, content creators and producers.Netflix, which launched in Turkey in 2016, is the country’s streaming market leader when it comes to subs — said by insiders to be just shy of 7 million — and in terms of its local originals’ output.Disney Plus, which is expected to bow this summer, is busy mounting multiple Turkish productions that are still being kept under wraps, while HBO Max just entered the market and is also active in production.Amazon Prime Video is also expected to start churning out Turkish originals in 2023.

The Peabody Awards on Thursday unveiled 12 winning digital and interactive projects and four special awardees as part of the organization’s inaugural Digital and Interactive Storytelling honors.

Vivienne Chow A wider representation of gender roles, more training opportunities for women filmmakers, and reaching out to women audiences are all ways forward to promote women-centric stories in Southeast Asian cinema, say women filmmakers from the region.The lively discussion involving Thai-American director Pailin Wedel (“Hope Frozen”), Indonesian actor Marissa Anita (“Ali & Ratu Ratu Queens”), Malaysian producer Lina Tan (“Sa Balik Baju”), and Filipino writer and producer Tanya Yuson (“Trese”) was staged by Netflix Asia on Wednesday.It concluded that streamers that can reach a wider audience online have already been making a positive impact on the industry as they help to find new audiences abroad, while also creating more opportunities for women filmmakers and diversity in storytelling. Works by the four panelists are all available on Netflix, which has been upping its game in Asia, particularly through its investment in local originals.Gender representation across Southeast Asia film and television content can vary widely.

The figures that directors Drea Cooper and Zackary Canepari assemble as talking heads for their documentary assault the viewer Greek Chorus-style, outlining a compelling, smothering, and effective picture of amateur investors stumbling upon the stock market as one might a church or guru. “Diamond Hands: The Legend of WallStreetBets” spends just 84 minutes telling a tight and surprisingly nuanced story that never veers into outright mythmaking — despite several of its subjects’ best efforts — pulling up just short of a more interesting examination of a much larger system.

Tara McNamara “Make the movie unlike anything that’s ever been done before.”Scrawled across a production whiteboard, this guiding principle led Sony Pictures Animation’s “The Mitchells vs. the Machines” to break barriers with its fresh perspectives, unique artistry and richly drawn characters.Released on Netflix last April to acclaim from audiences and critics alike, the feature has become one of the most honored animated films of the season, with 30 critics group wins, nominations for best animated feature at the BAFTAs and the Academy Awards and eight nominations for the animation industry’s Annies — a testament to the project’s bold animated style and the wide appeal of its storytelling.

UPDATED with awards dates: The Peabody Awards said Tuesday that it will announce the winning projects in its newest category, Digital and Interactive Storytelling, on March 24. The inaugural awards will be given to legacy media projects, with the category being folded into the main Peabody ceremony beginning in 2023.

Wilson Chapman editorThe Peabody Awards will announce winning projects from its new digital and interactive storytelling awards on March 24, the awards body announced Monday. The Peabody Awards first unveiled its new interactive storytelling categories last June, as a way of recognizing how online storytelling forms have advanced and grown in the last few years.

As has been evident in the Marvel Studios releases over the past year, the multiverse is here and it’s not going away anytime soon. We’ve seen it in “Loki” and “What If?” on Disney+.

Like Neil Young, Joni Mitchell and India Arie, Ava DuVernay’s Array is no longer doing business with Spotify.

Like Neil Young, Joni Mitchell and India Arie, Ava DuVernay’s Array is no longer doing business with Spotify.

William Earl Executives from TikTok, TheSoul Publishing, Roku, Hulu, and NBCUniversal join Variety President and Chief Media Analyst of Variety Intelligence Platform Andrew Wallenstein in the Variety Streaming Room for an exploration into how platforms are developing and producing content that will connect with modern audiences on a large universal scale. Victor Potrel, VP Platform Partnerships, TheSoul Publishing; Tedd Cittadine, Head of Content Partnerships, Roku; Reagan Feeney, SVP Live Content Programming and Partnerships, Hulu; Bryan Thoensen, Head of Content Partnerships, TikTok; and Val Boreland, EVP Content Acquisitions, NBCUniversal, sit down for a conversation about what is crucial in building popular content for modern viewership.  Find out what video categories — long-form, short-form, comedy, family-friendly and more — are widely engaging to audiences of all ages. Panelists will also talk about how mastering content curation and discovering strategies are important to break through in a competitive media landscape. The session will also explore how programmers are developing loyal audiences by extending the footprint of favorite IP and content brands across various channels and platforms. “As our video content has more social views than any other publishing studio in the world, TheSoul Publishing is thrilled to collaborate with Variety to spark a timely conversation around modern storytelling as audiences are continuing to stream their entertainment at massive levels,” said Victor Potrel, VP of Platform Partnerships, TheSoul Publishing.

Patrisse Cullors Black History Month has always been about abolition for me.I may not have known the word abolition as a young girl, but I understood abolition in my spirit. At my core, I witnessed a community ravaged and decimated by police and prisons, and I wanted more for us.

Jazz Tangcay Artisans EditorWomen have always been in the center of Pedro Almodovar’s films, driving his narrative. For the past few years, a woman has also been in the editing chair. For years, José Salcedo Palomeque was his go-to editor, until Palomeque died in 2017.

Award-winning author Graeme Armstrong has joined New College Lanarkshire’s film and TV team for an inspirational discussion.

Gregg Goldstein What brings documentaries to life? For an increasing number of them, it’s colorful characters — literally. Animation is making docs more accessible to a wider audience, allowing filmmakers to dramatize scenes that can’t be shown with footage and bringing them into once-unimagined awards categories.No film has demonstrated this more clearly than Jonas Poher Rasmussen’s refugee saga “Flee.” The Neon/Participant release made Oscar shortlists for both documentary feature and international feature film, won a Gotham Award for documentary and Sundance Film Festival’s World Cinema Grand Jury Prize: Documentary.

Sandra Bullock scored a major hit with the apocalyptic-thriller Bird Box (2018), which had been the most viewed film ever on Netflix up until a few weeks ago.Bullock cemented her own star power with the streaming service when her new film, The Unforgivable, made it into the top 10 of the most watchedtitles.Bullock credited her more recent success, in part, to Netflix, and went as far as to say that many actors would be out of work if wasn't for streaming services. Streaming success: Sandra Bullock, 57, has high praise for streaming services like Netflix, in the wake of her recent films - Bird Box (2018) andThe Unforgivable (2021)'They're good to artists. They're good to filmmakers.

Today star Sheinelle Jones has made her executive producer debut in an important new documentary close to her heart.MORE: Sheinelle Jones celebrates incredible achievement live on TodayStories We Tell: The Fertility Secret, is a powerful upcoming program featuring Sheinelle's sister-in-law and five other women, who discuss their individual journeys surrounding fertility.

David Benedict At a moment of the highest possible tension, a character shoots a puppet. What makes that not just exciting, but truly extraordinary, is that you feel the entire audience shudder.

A Christmas storytelling event will be entertaining families across Falkirk this year.