Paul McCartney: Last News

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Ringo Starr U-turns on ‘Let It Be’ documentary after saying there was “not a lot of joy” in it

Ringo Starr has given the newly restored Let It Be documentary his seal of approval, despite previously claiming that there was “not a lot of joy” in it.Directed by Michael Lindsay-Hogg, Let It Be was first released in cinemas 54 years ago, and featured footage of The Beatles while they were working their 12th and final studio album of the same name in 1969.While the original film has been difficult to obtain over the past five decades, last month, NME exclusively announced that Disney+ were to release a restored version of the 1970 film.The film arrived on May 8, and was restored by renowned filmmaker Peter Jackson – who also worked on the 2022 docuseries Get Back. He used state-of-the-art digital technology to restore the 55-year-old film reels to crisp, modern quality.However, before the film was shared earlier this month, drummer Ringo Starr made headlines after revealing that he thought that the film didn’t have “a lot of joy in it”.Speaking with Associated Press, he said: “I think Peter Jackson has done an incredible job.
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The Beatles’ iconic rooftop gig in 1970 ‘Let It Be’ documentary “almost didn’t happen”
The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.
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Worth the wait? The Beatles’ farewell film ‘Let It Be’ hits streaming 54 years later: review
finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the
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Beatles scions James McCartney and Sean Ono Lennon take us from ‘Strawberry Fields’ to ‘Primrose Hill’ on new single: review
The Beatles released their debut single in the UK, 1962’s “Love Me Do,” as the first of many classic songs written by John Lennon and Paul McCartney, their offspring have come together to bring back their tune-making magic.“Primrose Hill,” the new single by James McCartney — Sir Paul’s only son, with his late wife Linda — was co-written by Sean Ono Lennon, John’s youngest son from his marriage to Yoko Ono.And the next generation does their papas proud on this wistful beauty of a ballad that recalls some of the nostalgic reverie of “Now and Then” — which was released to much fanfare in November as the last Beatles song (and their first new tune since 1996).Released on Friday, “Primrose Hill” — which is a public park north of Regent’s Park in London — is the first-ever collaboration between McCartney, 46, and Lennon, 48.And if any song could sound just like taking a bittersweet stroll in the park with nothing but your longing memories, then this one pretty much captures it.There’s instantly something familiar about it — both the dreamy moodiness and McCartney’s lilting delivery — but it never seems to fall into Beatles mimicry.Nor does it ever reach the reach the heights of Beatles transcendence — I mean, how could it?The lyrics almost border on lovesick cliche at one point: “Forever’s not long enough to be loving you/Forever and a day/I look into your eyes, it’s such a great surprise/You take my breath away.”But if you just lose yourself in the warm, woozy feeling, you’ll get over that.And the bluesy guitar that comes in at the end adds a nice bite to the bliss.“ ‘Primrose Hill’ is here!” McCartney wrote in a post on Instagram, alongside a photo of him and Lennon.
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Prices are dropping for the Jimmy Buffett tribute at the Hollywood Bowl
‘Keep The Party Going,’ a Jimmy Buffett tribute concert at Los Angeles, CA’s Hollywood Bowl featuring big names like Paul McCartney, The Eagles, Bon Jovi, Jackson Browne, and Sheryl Crow on Thursday, April 11, has shockingly affordable last-minute tickets available.At the time of publication, our team found some seats going for as low as $68 before fees on Vivid Seats.When we last reported on the concert, tickets started at $272 before fees.That’s a whopping $204 in savings.Better yet, lower-level promenade seats can be scooped up for a cool $231 before fees.The show, which will celebrate the legacy of Buffett, who passed in September 2023 at the age of 76, also has Zac Brown, Brandi Carlile, Kenny Chesney, Eric Church, Jack Johnson and more on its star-studded bill.In total, 17 acts — plus, unnamed special guests — will take the stage.For more information, we have everything you need to know and more about the ‘Keep The Party Going’ concert below.All prices listed above are subject to fluctuation.A complete breakdown of all the best ticket prices by section at the Hollywood Bowl (versus what they cost on March 15, 2024) can be found below.(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout.)Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.
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