In a screen-acting career spanning countless cult films and trash classics over more than half a century, Udo Kier has created no shortage of memorably campy moments.
But he hits new highs in Swan Song, lip-syncing to Robyn's "Dancing on My Own" while a chandelier short-circuits on his head, or cruising along the streets of a sleepy Ohio town in an electric wheelchair dressed in a mint-green pantsuit and burgundy fedora, ignoring the honking of car horns behind him as he savors an extra-long More cigarette.
But what's most notable about Todd Stephens' heartfelt salute to a real-life local legend is that the campiness of its outrageous plot becomes secondary to the soulful poignancy.
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