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‘Saint Omer’ Review: Alice Diop’s Courtroom Drama Paints A Crushing Portrait of Motherhood [TIFF]

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On the inhospitable shores of Berck-sur-Mer, France, where the sounds of the tide mingle with a woman’s breathless running, is where Alice Diop’s narrative-feature debut “Saint Omer” begins.

It is a taught, bewitching court procedural, where pomp and circumstance, where the performance of the space, and the cold, calculating way it puts the most vulnerable on display, drags on to us an inevitable but no less stunning end.

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