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Pop Smoke’s ‘Shoot for the Stars, Aim for the Moon’: Album Review
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variety.comA.D. Amorosi From his long braids, dusky baritone and cocksure cackle to an all-around Brooklyn swagger that came through on every track, rapper Pop Smoke had the sort of pointed signatures that made him unique and immensely sellable.
Bugged-out, drill-inspired cuts such as 2019’s “Welcome to the Party” and “Dior” – the latter a taut and tension-filled anthem of NYC’s BLM protests this summer – were as raucous and sinister as anything Wu-Tang Clan ever committed to vinyl.
Like RZA’s Staten Island crew, Pop Smoke and his British production posse (fronted by 808Melo) concocted something nihilistic and noir-ish, but also contagious and somehow gleeful – a summer block party taking place in Stephen King’s “Haven.” While Wu-Tang’s rugged sound.
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