Tom Stoppard: Last News

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Joaquin Phoenix, Elliott Gould, Chloe Fineman and More Jewish Creatives Support Jonathan Glazer’s Oscars Speech in Open Letter (EXCLUSIVE)

Ellise Shafer Joaquin Phoenix, Elliott Gould, Chloe Fineman and more than 150 other Jewish creatives have signed an open letter in support of Jonathan Glazer’s Oscars speech. The list of 151 signees obtained by Variety also includes Phoenix’s sister Rain, three-time Oscar nominee Debra Winger, “May December” director Todd Haynes, “Sorry to Bother You” helmer Boots Riley, acclaimed filmmaker Joel Coen, “Room” director Lenny Abrahamson, “Arrested Development” star David Cross, documentarian Amy Berg, “Barbie” actor Hari Nef, legendary playwright Tom Stoppard, former Focus Pictures CEO James Schamus, comedian Kate Berlant, “You Hurt My Feelings” director Nicole Holofcener, “Secrets & Lies” auteur Mike Leigh, “Passages” filmmaker Ira Sachs, “Gossip Girl” actor and writer Tavi Gevinson, “The Princess Bride” actor Wallace Shawn, “Bottoms” director Emma Seligman, “Mistress America” star Lola Kirke, “Zola” helmer Janicza Bravo, “Broad City” stars Ilana Glazer and Abbi Jacobson and IndieWire film critic David Ehrlich.
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‘It Was a Disaster’: Julia Roberts Quit ‘Shakespeare in Love’ After Awful Chemistry Reads and Cost the Studio $6 Million, Says Producer Ed Zwick
Zack Sharf Digital News Director Gwyneth Paltrow won the Oscar for best actress thanks to her role in “Shakespeare in Love,” but it was Julia Roberts who was originally courted for the role of Viola de Lesseps. Producer Edward Zwick recently published a first-person essay for Air Mail about the the making of “Shakespeare in Love.” The director behind “Glory” and “Legends of the Fall” championed the film from the beginning, coordinating with Marc Norman on the original script and getting famed playwright Tom Stoppard to come onboard to do a re-write. Zwick also bore witness to Julia Roberts joining and abandoning the project in spectacular fashion. According to Zwick, Universal Pictures only agreed to put down money for the film when Julia Roberts expressed interest in starring in the lead role. As Zwick wrote, “The mere possibility of having the ‘Pretty Woman’ wearing a corseted gown got the studio excited enough to cough up the dough. Ten weeks later I was back in London, where a xeroxed copy of Stoppard’s first draft was waiting in my fancy hotel room.”
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