Tatiana Huezo - celebsbar.com

Naman Ramachandran The school half-term holidays saw the release of family-friendly fare at the U.K. and Ireland box office and consequently Paramount’s animated sequel “Sonic The Hedgehog 2” claimed the box office crown. The film debuted with £4.9 million ($6.5 million), according to numbers released by Comscore.The other big family targeted release, Universal’s “The Bad Guys,” debuted in third place with $2.2 million.

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Museum Of The Moving Image Announces Full Lineup For “First Look 2024” Festival

New York’s Museum of the Moving Image has revealed the full lineup for First Look 2024, the 13th edition of the festival that showcases “new and innovative international cinema,” both fiction and nonfiction.

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Hot Springs Documentary Film Festival Wraps 32nd Edition, With Awards Going To ‘Between The Rains,’ ‘The Echo’ And More

Between the Rains and The Echo are among the big winners at the prestigious Hot Springs Documentary Film Festival in Arkansas.

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Egypt’s El Gouna Film Festival Returns With New Artistic Director, Marianne Khoury, Impressive Lineup

Alissa Simon Film Critic After a one-year hiatus, the much-missed El Gouna Film Festival (Oct. 13 – 20) is back and poised to make an increased impact.

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‘The Echo’ Review: Tatiana Huezo Returns to Her Non-Fiction Roots with Another Striking, Multigenerational Story of Women and Nature [Berlin]

With an admirable cohesiveness, Mexican-Salvadoran director Tatiana Huezo (“Prayers for the Stolen”) has curated a body of work that often returns to familiar questions, subjects, and even precise images of evolving girlhood and untarnished nature. The filmmaker’s most fixed preoccupation is the spaces women carve for themselves and each other in communities where their safety, needs, and aspirations often suffer the tacitly violent tactics of patriarchal social norms. Back to her documentary roots, Huezo follows her acclaimed fiction debut, “Prayers for the Stolen” (“Noche de Fuego”), with another multigenerational saga of mothers and daughters in a remote locale.

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‘The Echo’ Review: Tatiana Huezo Returns With Another Harshly Poetic View of Mexican Childhood

Guy Lodge Film Critic “The Echo” — or rather, El Eco — is the name of a tiny rural village in Mexico’s Puebla state that sufficiently captivated Mexican-Salvadorean filmmaker Tatiana Huezo into filming it over the course of 18 months, observing its changes in weather, fortune and the temperament of its few, tightly bonded residents in fine, fraught degrees. But there’s more to the title of Huezo’s return to documentary filmmaking — following the major success of her 2021 fiction debut “Prayers for the Stolen” — than a mere marker of place: Examining the unique ties that bind farming families, where everyone’s welfare hangs on the same unkind elements, this exquisitely textured film observes how children’s lives echo those of their parents, repeating for generations on the same constantly inconstant land, until somebody breaks the pattern.

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‘Prayers for the Stolen’s’ Tatiana Huezo on Her New Docu Premiering at Berlinale, ‘The Echo,’ Drops Trailer (EXCLUSIVE)

Anna Marie de la Fuente To return to documentary filmmaking after her lauded debut fiction feature “Prayers for the Stolen” (“Noche de Fuego”), Tatiana Huezo laid down a set of parameters to follow. “I didn’t want to include any interviews, any narration or any voice-over,” she told Variety. “The Echo” (“El Eco”), world premiering at Berlinale’s Encounters sidebar, sometimes feels like a fictional story as a result. “After ‘Prayers..,’ I felt like returning to the language of the documentary, but most importantly, to find the extraordinary in the ordinary, in the smallest details in everyday life,” she mused. Its trailer bows exclusively in Variety.

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Mexican Academy Suspends 2023 Ariel Awards Due To “Serious Financial Crisis”

The Mexican Academy of Cinematographic Arts and Sciences (AMACC), the body in charge of the country’s preservation and development of cinema, said Thursday that it is in a “serious financial crisis” and will suspend the 2023 Ariel Awards, the country’s leading film awards.

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Maggie Gyllenhaal looks sensational in a shimmery mesh gown at the DGA Awards

Maggie Gyllenhaal and her husband, Peter Sarsgaard, attended the 74th Annual DGA Awards in Beverly Hills on Saturday.The 44-year-old actress and her husband, 51, stayed close to each other while posing for a set of photos before the former spent a bit of solo time in the spotlight.Gyllenhaal earned anOutstanding Directing – First-Time Feature Film nomination for her directorial debut The Lost Daughter, which she'd go on to win later in the night. Power couple: Maggie Gyllenhaal and her husband, Peter Sarsgaard, attended the 74th Annual DGA Awards in Beverly Hills on Saturday eveningGyllenhaal wore a stunning white gown with a white mesh button-up top and a silky skirt with a shimmery net overlay.She gave the ethereal ensemble some edge by painting her nails a maroon shade, as well as her lips.

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‘Prayers for The Stolen’ Director Tatiana Huezo on the Financial Squeeze of Awards Campaigns

John Hopewell Chief International CorrespondentHere, it’s the turn ofTatiana Huezo, director of Mexico’s shortlisted entry “Prayers for the Stolen” (“Noche de fuego”), “a poetic, profound portrait of growing up a girl in cartel-land,” Variety said in its review. What does it mean to you to be shortlisted for the best international feature Oscar? Feeling that my film can touch another person is the greatest value I can aspire to. I think cinema can touch the soul, make us look at each other, bring us closer together.

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Pantaya, Mexico’s Corazon Films Seal Original Series Production Partnership (EXCLUSIVE)

John Hopewell Chief International CorrespondentPantaya, the fast-growing premiere U.S. Hispanic/Latino SVOD service, has signed a multiyear production partnership with Mexico’s Corazón Films, producer and co-creator of smash hit “El Juego de las Llaves” and the anticipated “Mi Tío,” starring José Eduardo Dérbez and Ariadne Díaz.Both these series were produced with Amazon and Pantaya.

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Danny Glover and Joslyn Barnes’ Louverture Films Expands Into Television, Appoints New Partners (EXCLUSIVE)

Manori Ravindran International EditorLouverture Films, the production company founded by actor Danny Glover and Joslyn Barnes, is moving into television as well as animation, gaming and installation works. With two new principal partners in situ, the expansion has enlisted a host of creatives, including directors Apichatpong Weerasethakul and Lucrecia Martel.Co-founded by Glover and Barnes in 2005 — alongside long-time partners Susan Rockefeller and the Bertha Foundation’s Tony Tabatznik — the company has brought on board Sawsan Asfari and Jeffrey Clark as principal partners. Variety understands that the new partners will allow Louverture to access more funding resources.In addition, producer Karin Chien, who on Sunday delivered a rousing Sundance Institute Producing Fellows’ keynote, is becoming a partner and executive VP.

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‘Plaza Catedral,’ ‘Prayers for the Stolen’ Deal With Violence Inflicted Upon Youth in Latin America

Anna Marie de la Fuente Mexico’s Tatiana Huezo and Abner Benaim of Panama, whose respective dramas, “Prayers for the Stolen” and “Plaza Catedral,” made the coveted shortlist in the Oscars’ international feature category, have quite a few things in common. Both have mainly worked in documentary filmmaking, although in the case of Benaim, he made a hit comedy in 2009, “Chance,” before focusing on nonfiction films.Neither are strangers to the Oscar experience.

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Festivals Boost Contenders for Oscar International Film Race

Oscar international film shortlist right now, it would be the Cannes Film Festival. Nine of the 15 titles that made the cut came from the fest, even though the Palme d’Or winner, France’s submission “Titane,” did not.

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Guillermo del Toro Lauds ‘Prayers for the Stolen’ Director Tatiana Huezo as the Future of Hollywood

Clayton Davis In Variety‘s Up Next, we asked four Oscar winners to pick the one person who represents the future of Hollywood.Our cover subject Guillermo del Toro is one of the most prolific directors working today, but he’s acutely aware that it carries an important responsibility to other upcoming filmmakers. He executes that duty by producing movies that have him working with other artists, including animator Jorge R.