Camilla Nielsson: Last News

Guy Lodge Film Critic The political activism of pop stars is, as a rule, on the restrained side. Those who make their allegiances clear still tend to keep all factions in their fanbases sweet by limiting divisive rhetoric, or filtering their politics through broadly palatable humanitarian causes; those who speak a little more frankly still risk the wrath of the public, the internet and their record labels alike. Yet for Ugandan singer Robert Kyagulanyi Ssentamu — better known to his adoring fans as Bobi Wine — there’s both everything and nothing to lose by getting a little more directly involved in national politics than most such celebrities would dare. Entering a presidential election against corrupt, long-ruling incumbent Yoweri Museveni is, he knows, both a folly and a necessary symbolic stand — a certain path to honorable defeat that “Bobi Wine: Ghetto President” documents with angry urgency and bitter gallows humor.

Christopher Vourlias The government of Zimbabwe has banned “President,” Danish filmmaker Camilla Nielsson’s Oscar-shortlisted documentary about the African nation’s corrupt 2018 presidential election, Variety can exclusively reveal.In a letter dated June 16, the country’s censorship board slapped a ban on the Sundance prize-winning documentary, insisting that it “has the potential to incite violence” as Zimbabwe gears up for presidential elections in 2023.The filmmakers are now challenging the ruling in Zimbabwe’s constitutional court, promising a long legal battle ahead.“President” is the follow-up to Nielsson’s critically acclaimed “Democrats,” which chronicled the laborious construction of Zimbabwe’s 2013 constitution. It captures Zimbabwe at a crossroads, as it prepares for its first election since the ouster of Robert Mugabe, who was forced from power after nearly four decades in the wake of a 2017 military coup.

Manori Ravindran International EditorLouverture Films, the production company founded by actor Danny Glover and Joslyn Barnes, is moving into television as well as animation, gaming and installation works. With two new principal partners in situ, the expansion has enlisted a host of creatives, including directors Apichatpong Weerasethakul and Lucrecia Martel.Co-founded by Glover and Barnes in 2005 — alongside long-time partners Susan Rockefeller and the Bertha Foundation’s Tony Tabatznik — the company has brought on board Sawsan Asfari and Jeffrey Clark as principal partners. Variety understands that the new partners will allow Louverture to access more funding resources.In addition, producer Karin Chien, who on Sunday delivered a rousing Sundance Institute Producing Fellows’ keynote, is becoming a partner and executive VP.

Addie Morfoot ContributorIn the past decade, the inclusion of streaming services in the documentary market has made it increasingly harder for smaller docus struggling with funding to break into the nonfiction feature Oscar race. But in spite of the deep pockets they are up against, a number of cash-strapped docs inevitably make it onto the shortlist every year. This year was no exception.Jessica Beshir’s “Faya Dayi” (Janus Films, pictured above), Camilla Nielsson’s “President” (Greenwich Entertainment) and Sushmit Ghosh and Rintu Thomas’ “Writing with Fire” (Music Box Films) are three films on this year’s feature doc shortlist that are up against competitors with multi-million-dollar campaign budgets being paid by media and tech conglomerates including Apple, Netflix, ViacomCBS, the Walt Disney Co.