Steven Soderbergh: Last News

Just as the global pandemic seemed to profoundly accelerate the demise of movies and theatergoing—something we all cynically assumed would happen, but hell, not that fast! Not so soon! culturally, our internal clocks all have an impending sense of doom that seems to be ticking faster than ever. Climate change is something we presume will destroy our lives eventually, but globally, it’s been unnerving to watch raging forest fires in Australia that appear apocalyptic, or more recently, if you’re a New Yorker, experience firsthand alarming smoke and air quality pollution that looks like it’s been shot by Roger Deakins on the set of “Blade Runner 2049.” Intentional timed or not, this is where Steven Soderbergh and writer Kurt Anderson are coming from with their surprise new sci-fi-ish satirical series, “Command Z” (the Apple key command for “undo,” and specifically the computer power to negate a mistake; the serious was not officially announced until three days prior to release, and not for nothing, we were the only ones that reported about it months ago in advance).

Steven Soderbergh has been his ever-prolific self of late, with his limited series “Full Circle” premiering on Max last week and dropping yet another series, “Command Z,” exclusively on his website over the weekend. And NYC moviegoers lucky enough to be in the loop caught “Command Z” at a secret screening at the Metrograph last weekend, too, with Soderbergh in attendance for a Q&A.

Michael Cera has been announced to star in a new sci-fi series from director Steven Soderbergh.Command Z sees the actor take on the role of a project leader in the future who sends three people (Roy Wood Jr., Chloe Radcliffe and J.J. Maley) back to 2023 to infiltrate the minds of a number of people and change the course of the future.The series, which sees Soderbergh direct and produce, is available to watch now on the director’s website Extension765 – which also has a trailer.Command Z has also been promoted with a meta letter written by a likely fictional character called Fabrizia del Dongo, which confirms it consists of eight episodes and runs for a total of 90 minutes.“This very morning, our fearful leader explained that in three days (July 17th for those who don’t want to do the math) we will be ‘dropping’ a series of some sort called COMMAND Z,” it begins.“If I seem hedgy, it’s because A) None of us have seen it; and B) it’s apparently about ninety minutes long, but there are eight episodes of varying length, so is it an actual series or just a movie cut up into pieces?”It adds of the secrecy of the project: “When I asked Mr/Dr Soderbergh why he’d done this, why he’d made this project and why he’d made it in secret, he said, ‘Hope, Fabrizia.

What to watch: 7 movies and shows to stream this week - June 23What to watch: 7 movies and shows to stream this week - June 30What to watch: 7 movies and shows to stream this week - July 7Based on Jenny Han’s series of YA novels, “The Summer I Turned Pretty” follows Belly, a teen who travels once a year to her family friends’ beach house, reuniting with her best friends and prompting love triangles and teen shenanigans. Despite the cookie-cutter premise, Han’s work is earnest and real, with protagonists that are carefully crafted.

Steven Soderbergh on Friday unveiled the first trailer for Command Z, a comedic sci-fi series formerly known as The Pendulum Project, which will become available for streaming only on the site for his production company, Extension 765, on July 17th.

Surprise! Steven Soderbergh may have already dropped a new series—the botched-kidnapping drama “Full Circle,” which premiered yesterday, July 13, on MAX (read our review)— but the uber-prolific filmmaker has yet another series premiering in three days. No, really.

Sophia Scorziello editor “This is historic — literally.” At least, that’s what a digital Michael Cera says at the start of the trailer for Steven Soderbergh’s upcoming sci-fi comedy series, “Command Z.” The “Ocean’s 11″-through-“13” director has rounded up Cera, Roy Wood Jr., Chloe Radcliffe and Liev Schreiber for a post-apocalyptic look back at the year 2023, as they traverse into the past by putting a wormhole in a washing machine. The new series follows Soderbergh’s recent Max noir series “Full Circle” on Max, starring Claire Danes and Zazie Beetz. “Command Z” is set to premiere July 17 and will be available on Soderbergh’s website, Extension765.com.

Brent Lang Executive Editor Oscilloscope Laboratories has acquired North American rights to “Once Within a Time” from Godfrey Reggio, the experimental filmmaker behind the cult masterpiece “Koyaanisqatsi.” The indie studio will release “Once Within a Time” theatrically in the fall of 2023, following its premiere as part of The Museum of Modern Art’s film series “Total Cinema of Sight and Sound: Godfrey Reggio and Philip Glass,” which runs Sept. 26 – Oct. 4.  The movie is co-directed by Jon Kane, with original music is composed by Philip Glass with additional music and vocals by Sussan Deyhim. Glass, a legendary experimental composer, first worked with Reggio on “Koyaanisqatsi,” which was “presented” by Francis Ford Coppola in 1982. Reggio and Glass have collaborated on seven films over the last four decades, including “Visitors,” “Evidence,” and “Anima Mundi.”

Alison Herman TV Critic Since his “retirement” from filmmaking in 2013, director Steven Soderbergh has never fully backed away from the world of features: He has eight movies to his name in the past decade — more than some of his peers have produced in their entire careers. But Soderbergh did subsequently branch out into the world of TV, a medium he’s approached with the same enterprising, experimental spirit as he does his latter-period films. First came 2014’s “The Knick,” the Cinemax period medical drama helmed entirely by Soderbergh at a time when marquee directors were just starting to dabble in TV; then “Mosaic,” a project released in 2017 as both an interactive app and an HBO series, showing the same interest in new technology that’s led Soderbergh to shoot multiple movies on an iPhone.

Timothy Olyphant) and Sam Browne (Claire Danes) and their teen son Jared (Ethan Stoddard), who has a habit of losing his possessions (including his phone). He also makes an online acquaintance, another boy his age named Nicky (Lucian Zanes), who his parents don’t know about. Sam’s father, Chef Jeff (Dennis Quaid – donning a bewildering ponytail hairstyle) is a celebrity chef.

A few weeks back, trailer editor Andrew Hegele got Film Twitter in a tizzy with his rundown of the great contemporary American filmmakers—and how long it’s been since they’ve made a contemporary movie. Spielberg, Tarantino, Scorsese, Guillermo del Toro, the two Andersons (Wes and Paul Thomas); name after name, cinematic genius after cinematic genius, all turning out period pieces which, at best, say something about the present by saying something about the past.

Any parent’s worst nightmare would be that something bad happens to their child. That’s why kidnapping films and TV series have always struck a chord because the tension and emotions experienced by the parents attempting to find their missing kid are universal.

McKinley Franklin editor Jim Gaffigan will debut his next Amazon Original comedy special, “Dark Pale,” on Prime Video on July 25. “Jim Gaffigan: Dark Pale” is Gaffigan’s 10th comedy special, which will be available to stream in over 240 countries and territories. “Sometimes when people find out I have five kids, they think I’m good at parenting,” Gaffigan quips in the trailer for “Dark Pale. “Which is kind of like assuming people with lots of cats are not crazy.” Gaffigan is a seven-time Grammy-nominated comedian, actor, writer and producer who is known for his stand-up specials and roles in movies such as “Chappaquiddick,” “American Dreamer” and “Troop Zero.” As recently announced, he is set to embark on a five-city arena tour with Jerry Seinfeld this fall ahead of his Barely Alive Tour, which kicks off on Aug. 25 in Las Vegas.

The 2023 edition of the Tribeca Film Festival closed out last night with a conversation between two of the best filmmakers of their generation, David Fincher and Steven Soderbergh. The Q&A covered all sorts of topics, but Fincher dropped an intriguing nugget in the midst of it.

Zack Sharf Digital News Director “Shooting for me is a lot of indigestion,” David Fincher told the audience at the 2023 Tribeca Festival during a spirited conversation with fellow director and longtime friend Steven Soderbergh. The “Fight Club” and “Mank” Oscar nominee was asked by Soderbergh which part of the filmmaking process he loves the most. Fincher said it’s certainly not the physical shooting of a movie. “I love rehearsal,” Fincher said. “I love talking to people about the intention and going over every single word and what the script means and listening to people read it. I love the casting process. I love designing the movie and sitting with the production designer and the DP and talking about what do we want to say, where do we want people’s attention, and what do we have to underline.”

Alison Herman TV Critic The hit British film “The Full Monty” — for a brief period in 1997, the most lucrative release in U.K. history — was, in some ways, the original “Magic Mike.” The comedy chronicled six unemployed ex-steelworkers in post-Thatcher North England as they formed a stripping troupe. (The name referred to the strippers’ willingness to bare all, genitalia included.) By treating sex work as a symbol of larger economic malaise, “The Full Monty” anticipated the approach Steven Soderbergh would take stateside over two decades later.  “Magic Mike” has since ballooned into a full-blown phenomenon spanning a trilogy of films, a reality show and a globally successful stage revue. “The Full Monty” has, until now, resisted such expansion. (There have been a handful of stage adaptations, though nothing on the scale of “Magic Mike Live.”) But on June 14, FX will stream all eight episodes of a TV sequel, also called “The Full Monty,” on Hulu. The show carries the same set of core characters a quarter century into the future — minus the nudity, but retaining the same bittersweet mix of working class social realism and irreverent humor to take the edge off. Even affable British indies, it would seem, are not immune from the modern IP boom.

EXCLUSIVE: Eddie Alcazar’s Sundance-lauded feature Divinity will premiere internationally at the Taormina Film Festival on June 29th in Italy. Writer and Director Alcazar and stars Bella Thorne, Karrueche Tran and Moises Arias are set to appear at the Teatro Antico for the celebration.

Of all the filmmakers working today, you have to put Steven Soderbergh in a class all of his own when it comes to experimentation in visual storytelling. Sure, folks like James Cameron are pushing technology to the limits, but Soderbergh is equally as experimental when it comes to story, structure, and delivery.

Even the best intentions sometimes can turn into a nightmare, and this is a situation that Dolores Roach finds herself in after serving an unjust prison sentence in the new Prime Video series, “The Horror of Dolores Roach.” READ MORE: Steven Soderbergh’s Max Limited Series ‘Full Circle’ Headlines 2023 Tribeca Festival’s TV Lineup As seen in the trailer for the series, “The Horror of Dolores Roach” follows the story of the title character, who finally gets out of prison after 16 years, only to find herself needing to find a job to escape her current situation.

From the moment Tribeca Festival (no longer just film!) dropped its TV lineup, one title caught our eye: Steven Sodebergh’s “Full Circle.” His latest Max original, another reteaming with “Mosaic” and “No Sudden Move” writer Ed Solomon, looked like just the kind of miniseries sensation the summer needs. We’ll have a full review of the series later, but here’s what we learned at Tribeca — both from the first two episodes and the Q&A that followed.

Brent Lang Executive Editor Steven Soderbergh starts things off with an apology. His assistant is on vacation, and he was certain that our interview was scheduled to start a full 15 minutes after it was supposed to commence. That resulted in a mad scramble of calls text messages to track down the filmmaker. “I was just sitting here staring off into space,” he says. It must have been a rare moment of calm for the always-on-the-move director, who a has averaged at least one movie or series a year since reemerging from a short-lived retirement in 2017. And he’s back again this summer with “Full Circle,” a six-part miniseries that premieres at the Tribeca Festival before launching on Max on July 13. It’s a morally complex story about a botched kidnapping that causes several characters’ lives to intersect in surprising ways. It’s also a fascinating portrait of modern-day New York City, one that showcases a privileged Manhattan family (Claire Danes and Timothy Olyphant play the guardians of a business that revolves around Dennis Quaid’s celebrity chef), as well as a pair of Guyanese kidnappers who are deployed by CCH Pounder’s shadowy business woman to exact revenge. “Full Circle” is the kind of knotty thriller that Soderbergh, a master of the genre, does such a great job of setting and then unwinding. To say more would be to spoil its pleasures.